https://www.studiomagazine.ca/articles daily 0.75 2026-01-23 https://www.studiomagazine.ca/articles/2025/unravelling-the-canon monthly 0.5 2025-11-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/f1e574d2-9e5c-4f23-8316-16cc132e1b8e/3_TMC-Maya-055.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Installation view of 4 off the wall Kaqchikel huipiles from Comalapa (1950-1980). Their assigned role was to serve as storytelling and mnemonic activations contextualizing Rosa Elena Curruchich's life and work in Beyond the Vanishing Maya: Voices of a Land in Resistance at the Textile Museum of Canada, 2024. Photo: Darren Rigo. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1cd78261-27d5-4c0f-87ec-47755493bd85/1_BalsCostumes_019_20241202_LD.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Dress worn by Alice Scott as "A deck of cards" in 1887 (right), and other costumes. Installation view of Costume Balls: Dressing Up History, 1870-1927 at the McCord Stewart Museum, 2024. Photo: Laura Dumitriu. © McCord Stewart Museum. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fea05031-644e-41d3-9233-a9f5ffc3680d/4_BalsCostumes_091_20241112_LD.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Mixed historically styled 18th century gowns and military dress as costumes. Installation view of Costume Balls: Dressing Up History, 1870-1927 at the McCord Stewart Museum, 2024. Photo: Laura Dumitriu. © McCord Stewart Museum. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b11440b6-1cb6-4b44-9397-98bb6f741b15/8_BalsCostumes_119_20250127_LD.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Historically themed racialized impersonation photographs, with clothing and accessories often being Indigenous made on display. Installation view of Costume Balls: Dressing Up History, 1870-1927 at the McCord Stewart Museum, 2024. Photo: Laura Dumitriu. © McCord Stewart Museum. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/9eb6d5b7-b1da-4d19-93b0-91279c164288/4_Jingle+Dance+Performance+U.S.+Pavilion_Gibson.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Members of the Oklahoma Fancy Dancers and Colorado Inter-Tribal Dancers activating the forecourt of the U.S. Pavilion for Jeffrey Gibson’s exhibition the space in which to place me. (Exhibition for the United States Pavilion, 60th International Art Exhibition – La Biennale di Venezia), 2024. Photo: Federica Carlet. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/483570d2-273b-480f-bfc0-bd6fb4022a2f/4_TMC-Maya-044.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Installation view of Crucitas by Juan José Guillén, as part of a Maya ceremonial altar consecrated by Ajq'ij' and curator Diego Ventura Puac-Coyoy in the exhibition Beyond the Vanishing Maya, at the Textile Museum of Canada, 2024. Wood, paint, fabric, embossed tin, mixed media, 30.5 x 18 x 18 cm. Photo: Darren Rigo. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8da05f1b-5b6c-4324-99e2-2a02277869f3/5_TMC-Maya-057.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Installation view of Murió el alcalde la esposa se quedó en su lugar ahora deja al nuevo alcalde (reproduction) by Rosa Elena Curruchich, 20th century, wrapped in a textile provided by curator Diego Ventura Puac-Coyoy. This textile-wrapped painting was meant to serve as a storytelling and mnemonic activation contextualizing Rosa Elena Curruchich's life and work in Beyond the Vanishing Maya: Voices of a Land in Resistance at the Textile Museum of Canada, 2024. Photo: Darren Rigo. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/9e7c62f4-28e3-415c-b3ed-a5116fc27174/Wieland_ReasonOverPassion.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Joyce Wieland, Reason over Passion — Raison avant passion, 1968. Quilted cotton, 256.5 x 302.3 x 8 cm. View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo: Denis Farley. COURTESY OF THE MONTREAL MUSEUM OF FINE ARTS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/37311fdf-d13a-49ca-83d2-791d105b8575/1_DSF0219.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Left: Joyce Wieland, Works including Stuffed Movie and Larry’s Recent Behaviour, 1966. Mixed media. Varied dimensions. Right: Joyce Wieland, The Camera’s Eyes, 1966. Textile and wood, 203 x 202 cm. View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo: Denis Farley. COURTESY OF THE MONTREAL MUSEUM OF FINE ARTS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b494efd4-3060-49d3-9b43-4dc00fb8f0a8/6_JWieland.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Left: Joyce Wieland, Barren Ground Caribou, 1977–78. Quilted cloth, 243.8 x 914.4 x 8.68 cm. Right Forward: Joyce Wieland with sewing assistance by Joyce Martin, The Arctic Day, 1970-1971. Coloured pencil on cloth cushions and batting, 248.6 cm diameter. View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo: Denis Farley. COURTESY OF THE MONTREAL MUSEUM OF FINE ARTS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d5da27ec-8144-4320-b436-9352e61b7c57/1_PAbad.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Installation view: Pacita Abad, October 9, 2024 – January 19, 2025, Art Gallery of Ontario. Pacita Abad is organized by the Walker Art Center, Minneapolis. Photo: AGO. ARTWORK COURTESY OF THE PACITA ABAD ART ESTATE. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ff786e81-57f1-4a4d-b729-d1e0547eb372/2_PAbad.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Left: Pacita Abad, I thought the streets were paved with gold, 1991. Acrylic and oil paint, wood bristle, painted canvas, painted cloth on stitched and padded canvas, 239 x 173 cm. Center: Pacita Abad, L.A. Liberty, 1992. Acrylic, cotton yarn, plastic buttons, mirrors, gold thread, painted cloth on stitched and padded canvas, 239 x 148 cm. Right: Pacita Abad, Korean Shopkeepers, 1993. Acrylic and oil paint, plastic buttons, sequins, beads, yarn, painted cloth on stitched and padded canvas, 267 x 155 cm. Photo: AGO. ARTWORK COURTESY OF THE PACITA ABAD ART ESTATE. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fa32e558-0859-429e-b57b-ac58b080b780/3_PAbad.png Print Article Archive - Unravelling the Canon: Textile Exhibitions and the Limits of Institutional Imagination - Make it stand out Center: Pacita Abad, Anilao at its best, 1986. Acrylic and oil paint, plastic buttons, mirrors and rhinestones on stitched and padded canvas, 295 x 318 cm. Installation view: Pacita Abad, October 9, 2024 – January 19, 2025, Art Gallery of Ontario. Pacita Abad is organized by the Walker Art Center, Minneapolis. Photo: AGO. ARTWORK COURTESY OF THE PACITA ABAD ART ESTATE. https://www.studiomagazine.ca/articles/2025/2/katrina-craig monthly 0.5 2025-11-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1763327441371-BQZVQTQ75A0HDU3PKXVZ/5_Reshape.png Print Article Archive - Katrina Craig - Make it stand out Katrina Craig, Reshape, 2024. Silk organza naturally dyed and painted with coreopsis and beads. Photo: Colin Enquist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7ce77ad5-eca7-4eda-a65a-c1e15b336e9c/6_Iknowthisforest.png Print Article Archive - Katrina Craig - Make it stand out Katrina Craig, I know this forest like the back of my hand, 2021. Wool and linen, 475 cm x 68 cm x 1 cm. Photo: Katrina Craig. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/59c46da3-19f0-4da8-abc2-8cd18e95d3a1/2_Encroaching2.png Print Article Archive - Katrina Craig - Make it stand out Katrina Craig, Encroaching, 2021. Vellum, cotton thread and water based pens, 50 cm x 65 cm x 65 cm (variable dimensions). Photo: Katrina Craig. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/769c1b50-879a-4b81-8993-0481ce944220/3_Lovingyou.png Print Article Archive - Katrina Craig - Make it stand out Katrina Craig, Loving You Hurt More, 2018. Paper, cotton and mixed media, 18 cm x 155 cm x 120 cm. Photo: Katrina Craig. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/63684200-d842-42c5-b727-d3cfaca00dc7/8_The+Craftsperson.png Print Article Archive - Katrina Craig - Make it stand out Katrina Craig, The Craftsperson, 2023. Natural dye mordant painting with madder and weld on cotton, 65 cm x 97cm. Photo: Katrina Craig. https://www.studiomagazine.ca/articles/2025/2/michelle-sound monthly 0.5 2025-11-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1763323215083-UNIWKK5DJBO985CM77P9/SoundMichelleCyanotypeElkhideDrums.png Print Article Archive - Michelle Sound - Make it stand out Michelle Sound, Every Photo I Have Of My Mother, 2024. Cyanotypes on elk hide drums, Large drum 50.8 cm, smaller drums 36 cm. Photo: NK Photo. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/9ea6ccb2-dfb1-445d-863c-5a9c5a72b6f8/3_SoundMichelleCreeConstellationCyanotypeElkhideDRums.png Print Article Archive - Michelle Sound - Make it stand out Michelle Sound, Atima Atchakosuk, the Dog Stars, 2024. Cyanotype elk hide drums wood frame and sinew, 60 cm. Photo: Sean Fenzl. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5fc2fd5b-a25d-43eb-b78f-6813309ac742/6_msound2021NDNAunties2.png Print Article Archive - Michelle Sound - Make it stand out Michelle Sound, NDN Aunties, 2021. Denim jacket, leather fringe, leather jackets, dyed rabbit fur, metallic leather, pins, beadwork, wood drum frames and artificial sinew. Dimensions variable, 20 - 60 cm. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/26466c9d-9d8e-4b7b-b4a2-d07dcbebe911/7_NDNauntiesDetail1.png Print Article Archive - Michelle Sound - Make it stand out Michelle Sound, NDN Aunties (detail), 2021. Denim jacket, Aunty Magic Pin, Mad Aunty-Joi Arcand, wood drum frames and artificial sinew. Dimensions variable, 20 - 60 cm. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/63dc057a-6323-4399-accb-2bb4d751637c/5_80sBrat_druminstall.png Print Article Archive - Michelle Sound - Make it stand out Michelle Sound, 80s Brat, 2023. Repurposed denim, fringe, cotton, faux fur and leather. Dimensions variable, 20 - 56 cm. https://www.studiomagazine.ca/articles/2025/2/claire-anderson monthly 0.5 2026-01-23 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/96a1ef5f-5e9e-4211-ac43-1ba39b73bfd7/3+The+Inevitable+Reconstruction.png Print Article Archive - Claire Anderson - Make it stand out Claire Anderson, The Inevitable Reconstruction, 2023. Blown glass and welded steel on poured concrete base, 370 x 110 x 110 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/88f83f8e-1128-491a-b135-d0335984a107/5+Impressions.png Print Article Archive - Claire Anderson - Make it stand out Claire Anderson, Impressions (installation in progress), 2025. Blown and hot sculpted glass, 305 x 305 x 105 cm. Photo: Eder Poli Filho. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/90a2551d-fc1d-4711-8e18-6e51250a1273/1+Pins+and+Needles.png Print Article Archive - Claire Anderson - Make it stand out Claire Anderson, Pins and Needles, 2024. Flameworked glass, steel frame and stainless steel chain, 370 x 35 x 30 cm. COURTESY OF LONSDALE GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/2e73c186-749c-4607-8e2c-52b17bd89449/2+Pins+and+Needles+detail.png Print Article Archive - Claire Anderson - Make it stand out Claire Anderson, Pins and Needles (detail), 2024. Flameworked glass, steel frame and stainless steel chain, 370 x 35 x 30 cm. COURTESY OF LONSDALE GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d4bb25fd-9560-48ad-8b62-e6b058779028/7+Not+a+Fountail+video+still.png Print Article Archive - Claire Anderson - Make it stand out Claire Anderson, Not a Fountain, 2023. Blown glass, machined aluminum stand, bronze lid, flowing water, 140 x 35 x 35 cm. Photo: Wyatt Lowry. https://www.studiomagazine.ca/articles/2025/2/thierry-andre monthly 0.5 2025-11-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/58f129b3-adfc-47c9-94bf-25994517e989/thierry_andre_05.png Print Article Archive - Thierry André - Make it stand out Thierry André, Echoes of Time, 2022. Poplar wood and chrome baritone harp-guitar and internal arched-top soundboard, 116 x 41 x 14.5 cm, Photo: Pierre Barrellon. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/30fe45cf-ca34-4e70-b356-f6ed8ad2cd83/ThierryAndre_Echoes.png Print Article Archive - Thierry André - Make it stand out Thierry André, Echoes of Time (detail), 2022. Poplar wood and chrome baritone harp-guitar and internal arched-top soundboard, 116 x 41 x 14.5 cm, Photo: Pierre Barrellon. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1763325046807-B0H25X003D2HM77QCDBD/thierry_andre_01.png Print Article Archive - Thierry André - Make it stand out Thierry André, 78 Tempo (detail), 2024. Hollow-body electric guitar with internal acoustic horn components, 104 x 41 x 10 cm. Photo: RedM Photographe. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0cfeff84-b1d0-4d1e-8cf2-3cfc58e09681/thierry_andre_10.png Print Article Archive - Thierry André - Make it stand out Thierry André, Guitare-Fruit Wurcer, 2018. Acoustic bowl-back calabash guitar, cow bone, copper, brushed aluminum, brass, phosphor bronze and steel, 101 x 40 x 25 cm. Photo: Jean Fitzgerald. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/73e333b0-f943-4b20-ad45-37568d83b0b4/thiery-andre_11.png Print Article Archive - Thierry André - Make it stand out Thierry André, Guitare-Fruit Wurcer, 2018. Acoustic bowl-back calabash guitar, cow bone, copper, brushed aluminum, brass, phosphor bronze and steel, 101 x 40 x 25 cm. Photo: Jean Fitzgerald. https://www.studiomagazine.ca/articles/2025/2/the-journey-contemporania monthly 0.5 2025-09-29 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/9c2954d1-c3c1-4a3c-b70a-b169c4afc143/Contemporania1.png Print Article Archive - The Journey: Canadian Voices at CONTEMPORANIA - Make it stand out Clockwise: Necklace: Mélanie Denis, Mont-Bélair-Spring Collection, Dune in dirty pink, 2025. .925 silver, plexiglass, earthenware, photo paper, ink, acetate, nylon, 38 x 15 x 1.5 cm. Brooch: Alex Kinsley Vey – CONTEMPORANIA Winner Best Jeweller 2023 by JORGC – The Third Death (brooch), 2023. Laser etched Steel, sterling silver, 23k gold leaf Stand: Claudio Pino, Architectonicus -Socle, 2024. .925 silver, chalcedony, chrysoprase, 4.1 x 4.1 x 4 cm Ring: Claudio Pino, Asterism, 2023. Sterling silver, 18K gold, amethyst cut by Claude Marc Aurele, pearls, tsavorite Ring holder: Claudio Pino, Metamorphosis Socle, 2023. .925 silver, chalcedony, chrysoprase, 2.6 x 4.3 x 8.7 cm https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d5b4b7ca-1925-403e-b6fa-9126f3da1d6e/Contemporania2.png Print Article Archive - The Journey: Canadian Voices at CONTEMPORANIA - Make it stand out Glassware: Charlie Larouche-Potvin, Verres à pied, avec cygne et dragon et florales, 2025. Blown glass, 24K gold. Flute: 6.5 x 6.5 x 20.5 cm; Martini: 11 x 11 x 14 cm Knife: Dave Fortin, Couteau Deva, Couteau de chef, 2023. Multi-layer laminated carbon steel, black walnut, spalted maple, 33.8 x 3.5 cm https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d7e842e3-9576-49c2-ba14-c9e8602815c5/Contemporania3.png Print Article Archive - The Journey: Canadian Voices at CONTEMPORANIA - Make it stand out Tall boots: Niki Jessup, Cuissardes Speckle Park (Fleur de peau), 2024. Leather and plastic, 32 x 25 x 94cm Short boots: Niki Jessup, Mules Royal Chinook d’Aquitane, 2025. Leather, plastic, and metal, 32 x 25 x 19cm https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d2a4d480-94e1-4f59-ad26-fa83413496c9/Contemporania4.png Print Article Archive - The Journey: Canadian Voices at CONTEMPORANIA - Make it stand out Véronique Martel, Mujer aguerrida, 2024. Colored semi-porcelain, glaze, underglaze, cardboard and felt, 152 x 76 x 51 cm https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/4fe1f11e-f30d-4831-9955-53820ebd5291/Contemporania5.png Print Article Archive - The Journey: Canadian Voices at CONTEMPORANIA - Make it stand out Paul Guidera, Consciences Hybrides, 2023. Stoneware, matte glaze, rope and gold luster, 28 cm x 28 cm x 63 cm https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8f9ea743-517d-49b0-b302-0cfdc896148a/Contemporania6.png Print Article Archive - The Journey: Canadian Voices at CONTEMPORANIA - Make it stand out Top: Milady Hartmann, Velvet Reverberations, 2025. Textiles, velvet and paper, 84 x 48 x 28 cm Bottom: Atelier CUB, Spécimen nº04, 2025. Bleached maple and buffalo leather 36 x 36 cm https://www.studiomagazine.ca/articles/2021/2/a-conversation-with-skawennati monthly 0.5 2025-06-04 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ddf03da5-0a58-44e0-abe8-e7995e42bf5d/Skawennati.png Print Article Archive - Virtuosity and Virtuality: A Conversation with Skawennati Skawennati, 2021. Photo: Paxton Phillips, COURTESY OF KOR Photo Studio. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ba993eac-a235-447d-849b-bda24ba1f9c4/Intergalactic+Empowerment+Wampum.png Print Article Archive - Virtuosity and Virtuality: A Conversation with Skawennati - Make it stand out Skawennati, Intergalactic Empowerment Wampum, 2019. From Extending the Rafters. Leather, sinew, beads. COURTESY OF Skawennati / ELLEPHANT https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8d417264-71d8-4c8e-8299-b6a08b3a6b43/Calico+Camo.png Print Article Archive - Virtuosity and Virtuality: A Conversation with Skawennati - Make it stand out Skawennati, Exhibition Calico & Camouflage: Demonstrate, ELLEPHANT, Montreal, 2020. COURTESY OF Skawennati / ELLEPHANT https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/81fb2dd8-16ab-4dec-8abd-97fe710c36a9/Calico+and+Camoflauge.png Print Article Archive - Virtuosity and Virtuality: A Conversation with Skawennati - Make it stand out Skawennati, Calico & Camouflage - 8 different outfits, 2020. Textiles: Ribbon Shirts, Cargo Pants, Shoes, Face Mask (optional), Protest Sign. Photo Credit: Daniel Cianfarra. COURTESY OF Skawennati / ELLEPHANT https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/279398aa-3332-4f2f-8460-2a98cb89a3da/Resistance+Is+Fertile.png Print Article Archive - Virtuosity and Virtuality: A Conversation with Skawennati - Make it stand out Skawennati, Resistance is Fertile, 2020. From Calico & Camouflage. Shaped Archival Pigment Print on Aluminium. COURTESY OF Skawennati / ELLEPHANT https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5211cee4-9768-43da-9bf5-f44cd8e5c0b5/Becoming+the+Peacemaker.png Print Article Archive - Virtuosity and Virtuality: A Conversation with Skawennati - Make it stand out Skawennati, Becoming the Peacemaker (Iotetshèn:’en), 2018. Machinimagraph from The Peacemaker Returns, inkjet print. COURTESY OF Skawennati / ELLEPHANT https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/52032395-8f73-4c60-a121-56050b7bc89b/DancingWithMyself.png Print Article Archive - Virtuosity and Virtuality: A Conversation with Skawennati - Make it stand out Skawennati, Dancing with Myself, 2015. Diptych: machinimagraph, photograph; inkjet print. COURTESY OF Skawennati / ELLEPHANT https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a3deb067-7e12-4f88-9e7d-9de36eeb79cd/Fam+in+sky.png Print Article Archive - Virtuosity and Virtuality: A Conversation with Skawennati - Make it stand out Skawennati, Family in the Sky, 2017. Machinimagraph from The Peacemaker Returns, inkjet print. COURTESY OF Skawennati / ELLEPHANT https://www.studiomagazine.ca/articles/2025/1/kae-sasaki monthly 0.5 2025-11-16 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/2443df61-3e0b-43f8-93d4-b55b20ccb7c6/Kae+Sasaki%2C+Floor+Globe.png Print Article Archive - Kae Sasaki - Make it stand out Kae Sasaki, Untitled (Floor Globe), 2021/2024. Thread and reclaimed vintage Japanese beads over a vintage floor globe, and mounted on a repurposed wooden table base, 91 x 33 x 33 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c3946781-d952-4c2f-ad21-8a94bacac5a1/Kae+Sasaki%2C+Child+Sized+Kimono.png Print Article Archive - Kae Sasaki - Make it stand out Kae Sasaki, Untitled (Child Sized Kimono), 2018. Thread and beads over a child sized kimono, pleated maple leaf tartan fabric lined with hidden pockets, 91 x 69 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d10d8d0b-c03f-489f-ba3c-53df4bacdbc0/Kae+Sasaki%2C+Zither.png Print Article Archive - Kae Sasaki - Make it stand out Kae Sasaki, Untitled (Zither), 2024. Thread and reclaimed vintage Japanese beads over a vintage Menzenhauer zither, 51 x 33 x 5 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/4276a72c-1b42-4acb-863f-bc8daba50499/Kae+Sasaki%2C+Untitled+%28Pop+Filter%29.png Print Article Archive - Kae Sasaki - Make it stand out Kae Sasaki, Untitled (Pop Filter), 2024. Reclaimed vintage Japanese beads on a found pop filter, installed with a condenser microphone and a scissor stand, 56 x 15 x 2 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/642aee47-e579-49a4-a86c-a12b400430da/Kae+Sasaki%2C+Untitled+%28Tagliatelle%29.png Print Article Archive - Kae Sasaki - Make it stand out Kae Sasaki, Untitled (Tagliatelle), 2023. Thread and reclaimed vintage Japanese beads over a vintage pasta machine, 18 x 36 x 20 cm. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2025/1/lucie-leroux monthly 0.5 2025-04-16 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ab3e1d44-53fa-4ad6-9d8e-64fdf37ce626/Lucie+Leroux%2C+Lamp+N%C2%B0135+Eclips.png Print Article Archive - Lucie Leroux - Make it stand out Lucie Leroux, Lamp N°135 Eclipse, 2022. Post-consumer recycled synthetic and natural fibers, acrylic, screen printed and folded by hand, 40 x 26 x 26 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0762975d-cba4-44eb-96c5-89d7641a7d53/Lucie+Leroux%2C+Lamp+N%C2%B0690+Eclipse.png Print Article Archive - Lucie Leroux - Make it stand out Lucie Leroux, Lamp N°690 Eclipse, 2022. Post-consumer recycled synthetic and natural fibers, acrylic, screen printed and folded by hand, 46 x 46 x37 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/cd8ffe61-534f-4238-be55-97f5502a748b/Lucie+Leroux%2C+Lamp+N%C2%B0135%2C+checkered+pattern.png Print Article Archive - Lucie Leroux - Make it stand out Lucie Leroux, Lamp N°135, checkered pattern, (detail), 2022. Post-consumer recycled synthetic and natural fibers, acrylic, screen printed and folded by hand, 40 x 26 x 26 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b33c08ad-d82b-4f05-ae3f-ce5754632a7b/Lucie+Leroux%2C+Lamp+reversible+N%C2%B0306+Canopy.png Print Article Archive - Lucie Leroux - Make it stand out Lucie Leroux, Lamp reversible N°306 Canopy (detail), 2024. Narrow 18 x 33 cm / Flared 42 x 29 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e9c4a4fd-6a94-4c9a-bd5e-0f3ad73376da/Lucie+Leroux%2C+Lamp++N%C2%B0400+Canopy.png Print Article Archive - Lucie Leroux - Make it stand out Lucie Leroux, Lamp N°400 Canopy, 2022. Post-consumer recycled synthetic and natural fibers, acrylic, screen printed and folded by hand, 60 x 60 x 40 cm.. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2025/1/melanie-hamilton monthly 0.5 2025-04-16 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/67f7d094-84ce-4d28-8524-6db30e1149cf/Melanie+Hamilton%2C+Otti+in+the+Light.png Print Article Archive - Melanie Hamilton - Make it stand out Melanie Hamilton, Otti in the Light, 2023. Maple, french linen, and neon tube light, 121.5 x 38.5 x 38.5 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e276afd5-6c7f-430e-a906-1c3594ead4e4/Melanie+Hamilton%2C+Warp+Chair.png Print Article Archive - Melanie Hamilton - Make it stand out Melanie Hamilton, Warp Chair, 2023. Walnut, Danish cord, and wool felt, 64.8 x 68.5 x 73.5 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/00a3a506-8081-45f6-86de-d6a8ceb67fbd/MelanieHamilton_AnnMeandering.png Print Article Archive - Melanie Hamilton - Make it stand out Melanie Hamilton, Anni Meandering (section), 2003. Ash, Danish cord, and wool fibre, 54 x 204 x 45 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7ab0c4eb-ea04-40e5-a54c-d8213732cc69/Melanie+Hamilton%2C+Otti+in+the+Light2.png Print Article Archive - Melanie Hamilton - Make it stand out Melanie Hamilton, Otti in the Light, 2023. Maple, french linen, and neon tube light. 121.5 x 38.5 x 38.5 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/25e9ff02-8de9-4ac5-846d-ba5b742f63e3/Melanie+Hamilton%2C+Cute+Side+Tables.png Print Article Archive - Melanie Hamilton - Make it stand out Melanie Hamilton, Cute Side Tables, 2024. Ash, pigment, and wool felt drawer liner, 58.5 x 47.5 x 38 cm. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2025/1/interrogating-control-ghazaleh-avarzamani monthly 0.5 2025-05-29 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/9003eea1-5038-4d71-b092-138b2ce2d456/Ghazaleh+Avarzamani%2C+Romance+of+Many+Dimensions.png Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani Ghazaleh Avarzamani, Romance of Many Dimensions, 2019. Bamboo Basket and wood, varied dimensions. Photo: Alison Postma. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0609b47f-522f-4b29-9b76-f6188008a38c/DesireIsTender_GA.png Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani - Make it stand out Ghazaleh Avarzamani, Desire Is Tender Is Love Is Love, 2018. Glycerine Soap and Wood, 142 x 49 x 76 cm. Photo: Dahlia Katz. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/18800654-ddcc-49cd-aa27-df6d2f99c331/Ghazaleh+Avarzamani%2C+Strange+Temporalities.png Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani - Make it stand out Ghazaleh Avarzamani, Strange Temporalities, 2018. Segmented Slide on Metal Armature, varied dimensions. Photo: Stephen White. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d1cad2a5-748e-41e8-a78d-4ad19518ec8d/Ghazaleh+Avarzamani%2C+The+Noble+Game+of+Elephant+and+Castle.png Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani Ghazaleh Avarzamani, The Noble Game of Elephant and Castle, 2023. Loofah and embroidery, 178 x 152 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b004cbc8-10bf-4250-b7cc-f870fa6419c7/Mashribaya_GA.png Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani - Make it stand out Ghazaleh Avarzamani, Mashrabiya, 2021. Painted aluminum, Ext: 350 x 233 x 120 cm - Int: 233 x 78 x 97 cm. Photo: Toni Hafkenscheid. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5e74f048-9ae3-4a6d-b5fd-e199e7c65699/7_IMG_4154+copy+%281%29.jpg Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani - Make it stand out Ghazaleh Avarzamani, Romance of Many Dimensions, 2019. Bamboo Basket and wood, varied dimensions. Photo: Alison Postma. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/432b5e0d-8ebd-4986-8626-1902d0d2f1c2/HappyTogether_GA.png Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani - Make it stand out Ghazaleh Avarzamani and Ky Sattler, Happy Together, 2022. Wood and aluminum, 155 x 264 cm. Photo: Alison Postma. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/64e9dee1-38df-40d6-954f-33dfc70b0d90/GA_Desire.png Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani - Make it stand out Ghazaleh Avarzamani, Desire Is Tender Is Love Is Love, 2018. Glycerine Soap and Wood, 142 x 49 x 76 cm. Photo: Dahlia Katz. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fc9057a6-8851-4887-a268-f7db213aaba8/Ghazaleh+Avarzamani%2C+Scratch+Me%2C+And+I%E2%80%99ll+Scratch+You.png Print Article Archive - Interrogating Control: The Imaginative Works of Ghazaleh Avarzamani - Make it stand out Ghazaleh Avarzamani, Scratch Me, And I’ll Scratch You, 2023. Butter and wood, 300 x 250 x 250 cm. Photo: Jean-Michael Seminaro. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2025/inquiries-saeedeh-niktab-etaati monthly 0.5 2025-04-16 https://www.studiomagazine.ca/articles/2025/1/close-attention-nico-williams monthly 0.5 2025-04-15 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/adabdf9f-03a8-4bb5-951e-73e0ddd252c1/Bingo+%28detail%29.png Print Article Archive - Close Attention: The Intricate Complexities of Nico Williams’s Beaded Artworks Nico Williams, Bingo (detail), 2025. 15/0 Japanese Glass Cylinder Beads, original, thermally-fused/braided polyethylene thread, 16 cm x 16 cm. Photo: Paul Litherland. COURTESY OF NICO WILLIAMS STUDIO. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/2df37776-238b-40a9-bb90-46a027cea83c/AmazonBag_NicoWilliams.jpg Print Article Archive - Close Attention: The Intricate Complexities of Nico Williams’s Beaded Artworks - Make it stand out Nico Williams, Amazon Bag, 2022. Glass beads, 111.8 x 30.5 x 16.8 cm. COURTESY OF BLOUIN DIVISION. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/81e49e2f-f8ae-419c-880d-b45b55e196bc/AmazonBagDetail_NicoWilliams.png Print Article Archive - Close Attention: The Intricate Complexities of Nico Williams’s Beaded Artworks - Make it stand out Nico Williams, Amazon Bag (detail), 2022. Glass beads, 111.8 x 30.5 x 16.8 cm. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/011574da-d131-455b-a78d-1dcf6f2bde5c/Danger_NicoWilliams.png Print Article Archive - Close Attention: The Intricate Complexities of Nico Williams’s Beaded Artworks Nico Williams, Danger! Tread Lightly, 2023. Japanese silver-lined glass bugle beads and thread, 10.2 x 551.2 cm. Photo: Toni Hafkenscheid. COURTESY OF BLOUIN DIVISION. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/125c79fd-9b8e-46a4-aa52-9b69cffe0f3b/Nico+Williams+with+his+sculpture+Monument+to+the+Brave.png Print Article Archive - Close Attention: The Intricate Complexities of Nico Williams’s Beaded Artworks - Make it stand out Nico Williams with his sculpture Monument to the Brave. Photo: Jimmy Hamelin. COURTESY OF THE SICKKIDS FOUNDATION. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/414bbb5d-0586-41b6-9e79-20451962b1ab/Nico+Williams+Reconnecting.png Print Article Archive - Close Attention: The Intricate Complexities of Nico Williams’s Beaded Artworks - Make it stand out Nico Williams, Reconnecting, 2025. 11/0 Japanese Glass Cylinders Beads,10/0 Czech Glass Beads, blue stabilizing fluid, Cardboard box, leaflet, sealed plastic DNA testing kit, saliva collection tube, thermally-fused/braided polyethylene thread. 15.5 cm x 11 cm x 2.5 cm. Photo: Paul Litherland. COURTESY OF NICO WILLIAMS STUDIO. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/59494d10-d0b9-41e2-8caf-8eaef90cc937/Nico+Williams%2C+Red+Bandana.png Print Article Archive - Close Attention: The Intricate Complexities of Nico Williams’s Beaded Artworks - Make it stand out Nico Williams, Red Bandana, 2025. 11/0 Venetian white heart trade glass beads, 11/0 Czech Glass beads. Photo: Paul Litherland. COURTESY OF NICO WILLIAMS STUDIO. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a1197fb6-db1d-4b2b-8436-6b1bc0aabecb/Nico+Williams%2C+Red+Bandana+%28detail%29.png Print Article Archive - Close Attention: The Intricate Complexities of Nico Williams’s Beaded Artworks - Make it stand out Nico Williams, Red Bandana (detail), 2025. 11/0 Venetian white heart trade glass beads, 11/0 Czech Glass beads. Photo: Paul Litherland. COURTESY OF NICO WILLIAMS STUDIO. https://www.studiomagazine.ca/articles/2025/1/thinking-the-world monthly 0.5 2025-06-04 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593714661378-1MY2GJ4GXXROYH9PSU3S/SS2020.jpg Print Article Archive - "Thinking the World" Through Writing About Craft Cover of Studio Magazine 15.1, Spring/Summer 2020: Land https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619804044575-G1HR4D02WPRH0PJ6MP84/SS2021.jpg Print Article Archive - "Thinking the World" Through Writing About Craft Cover of Studio Magazine 16.1, Spring/Summer 2021: Technology https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1732212882472-PSBCLHPJKKR83TZO298C/COVER_STUDIO+FW+2024.png Print Article Archive - "Thinking the World" Through Writing About Craft - Make it stand out Cover of Studio Magazine 19.2, Fall/Winter 2024-2025: Spectacle https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1603905612803-Y3MPHOIE0ZZXTI61M3L1/FW2020.jpg Print Article Archive - "Thinking the World" Through Writing About Craft - Make it stand out Cover of Studio Magazine 15.2, Fall/Winter 2020-2021: Accessibility https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637270540745-HFRXCM6TKUUTJPWF9A46/Studio+16.2+COVER.png Print Article Archive - "Thinking the World" Through Writing About Craft - Make it stand out Cover of Studio Magazine 16.2, Fall/Winter 2021-2022: Generation https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/15000708-ed6e-4d89-a193-687e12b86b30/CoverFW2022.png Print Article Archive - "Thinking the World" Through Writing About Craft - Make it stand out Cover of Studio Magazine 17.2, Fall/Winter 2022-2023: Subvert https://www.studiomagazine.ca/articles/2025/1/bronfman-peter-pierobon monthly 0.5 2025-11-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ad45d981-c429-44e3-9917-65f39322ca3e/Pierobonstudio.png Print Article Archive - Saidye Bronfman Award Winner: Peter Pierobon - Make it stand out Peter Pierobon in the studio, 2025. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a97e2856-82e9-49b3-809b-ab783ac286e2/Rhythm+Rhyme.png Print Article Archive - Saidye Bronfman Award Winner: Peter Pierobon - Make it stand out Peter Pierobon, Rhythm Rhyme, 2014. Ebonized wood, 61 x 168 x 152 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a8dfc9c8-0a34-4ce8-89e0-3c2ea09707ef/Mountain+Table.png Print Article Archive - Saidye Bronfman Award Winner: Peter Pierobon - Make it stand out Peter Pierobon, Mountain Table, 2020. Stone and American cherry wood, 76 x 183 x 112 cm. Photo: Goran Basaric. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/829aa0f9-d39b-4d8b-82e6-c94274acccb4/Mariners.png Print Article Archive - Saidye Bronfman Award Winner: Peter Pierobon - Make it stand out Peter Pierobon, Mariners, 1997. Ebonized wood, 76 x 61 x 51 cm tallest. Photo: Joe Chielli. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2025/1/focal-point-xiaojing-yan monthly 0.5 2025-05-06 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1744690310343-E5CQGHXXQ3ZAF8TPBZ0B/Under+the+Pines%2C+Over+the+Clouds.png Print Article Archive - Focal Point: Xiaojing Yan Xiaojing Yan, Under the Pines, Over the Clouds, 2025. Installation. PHOTO: Scott Lee. COURTESY OF UNIVERSITY OF WATERLOO ART GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/3440a2a3-c761-4a12-9402-2c11ade5310a/Spirit+Cloud.png Print Article Archive - Focal Point: Xiaojing Yan Xiaojing Yan, Spirit Cloud, 2017. Freshwater pearl, filament, and aluminum, 112 x 325 x 300 cm. PHOTO: Scott Lee. https://www.studiomagazine.ca/articles/2025/1/where-there-is-fire monthly 0.5 2025-04-15 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/df627dc6-51f2-4c41-9521-32df56f75e08/Notre-Dame_de_Quebec.png Print Article Archive - History in the (Re-) Making: Where there is fire - Make it stand out Notre-Dame de Quebec, interior, 2017. PHOTO: Dennis Jarvis. COURTESY OF WIKIMEDIA COMMONS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/26d893ca-64af-4a51-ae64-eaeb2c076c5a/St_Boniface_RC_Cathedral.png Print Article Archive - History in the (Re-) Making: Where there is fire - Make it stand out St Boniface Cathedral, Winnipeg, showing the 1972 reimagining, 2018. PHOTO: Jessica Losorata. COURTESY OF WIKIMEDIA COMMONS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/23371513-cbed-4ad6-bb11-584d56545caa/St_Boniface_Cathedral.png Print Article Archive - History in the (Re-) Making: Where there is fire - Make it stand out St Boniface Cathedral, Winnipeg, Between 1908 façade and back of new cathedral, 2012. PHOTO: Stevfan. COURTESY OF WIKIMEDIA COMMONS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/18104f60-97cf-4142-8769-1fb63dfbb896/Fle%CC%80che_en_feu_-_Spire_on_Fire.png Print Article Archive - History in the (Re-) Making: Where there is fire - Make it stand out Notre-Dame de Paris cathedral, spire on fire, 2019. PHOTO: Guillaume Levrier. COURTESY OF WIKIMEDIA COMMONS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e4916b65-a4f2-48e7-b6c6-7f93018e4b15/StAnnesFire.png Print Article Archive - History in the (Re-) Making: Where there is fire - Make it stand out The fire at St. Anne's Anglican Church, 2024. PHOTO: VelvetGloveinTO. COURTESY OF WIKIMEDIA COMMONS. https://www.studiomagazine.ca/articles/2024/2/the-spectacle-of-glass monthly 0.5 2025-04-15 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d9969807-fddf-4f2d-8da8-4c7e76d71491/NakedCamus.png Print Article Archive - Mediating Perceptions: The Spectacle Of Glass Katherine Gray, Naked Camus [Single Egg], Glass, 10 x 10 x 76 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ff02c5ea-137a-4862-8952-db3bcd708d2c/Forest+Glass+CMOG.jpg Print Article Archive - Mediating Perceptions: The Spectacle Of Glass Katherine Gray, Forest Glass, 2009. Glass and mixed media, 160 x 76 x 305 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1733768794088-KK3EKBOA2VPX6YVFP31Y/5_Gray_Katherine_As+Clear+As+The+Experience%2C+Redux.jpg Print Article Archive - Mediating Perceptions: The Spectacle Of Glass - Make it stand out Katherine Gray, As Clear As The Experience Redux (detail), 2019. Blown glass and steel, 91 x 41 x 152 cm. Photo: Fredrik Nilsen. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2024/interview-alan-elder monthly 0.5 2024-12-09 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/6cc1ad34-d45e-497b-a8b3-59ac37d5a65f/AModernLife_Cover.png Print Article Archive - Moments In Time: Modern Canadian Craft and Design - Make it stand out A Modern Life—Art and Design in British Columbia 1945-1960, 2004. Cover. COURTESY OF ARSENAL PULP PRESS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1733767232212-GUK5LUT1JBFEDSPAG6N8/AModernLife_Interior.png Print Article Archive - Moments In Time: Modern Canadian Craft and Design - Make it stand out A Modern Life—Art and Design in British Columbia 1945-1960, 2004. Select pages. COURTESY OF ARSENAL PULP PRESS. https://www.studiomagazine.ca/articles/2024/2/grand-manans-dark-harbour-hermits monthly 0.5 2025-05-02 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c925dacb-67d3-428b-aca4-84e3c9bf162c/Brandon+Hicks_GrandManan.png Print Article Archive - Grand Manan’s Dark Harbour Hermits https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a61417e8-e1e2-4e8e-8809-4a65d7506844/BH_Left.png Print Article Archive - Grand Manan’s Dark Harbour Hermits - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7989f591-b5fe-49cb-a6bb-6ba394ea66a6/BH_Right.png Print Article Archive - Grand Manan’s Dark Harbour Hermits - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7d7f2f29-512f-44e8-964d-60ebf0f63d22/BH_Centre_Car.png Print Article Archive - Grand Manan’s Dark Harbour Hermits https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/eb5e5083-1a34-4021-9a9a-7c4e7f3a5d9d/Photo_NewBrunswickArchives.png Print Article Archive - Grand Manan’s Dark Harbour Hermits - Make it stand out Photo: New Brunswick Archives https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ac451169-436d-46ee-87ad-5b3c711988a0/BH_Center_fisherman.png Print Article Archive - Grand Manan’s Dark Harbour Hermits - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a24fa49e-8785-4478-a3db-1b139d314b80/BH_enclave.png Print Article Archive - Grand Manan’s Dark Harbour Hermits - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.studiomagazine.ca/articles/2024/inquiries-franchesca-hebert-spence monthly 0.5 2025-04-15 https://www.studiomagazine.ca/articles/2024/2/home-and-other-places monthly 0.5 2025-04-29 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b08524cc-5c50-449e-a110-e7ea4ad3fd38/Gwangju_1.png Print Article Archive - Gwangju Biennial: Home and Other Places - Make it stand out Interior view of one of the gallery spaces, 2024. Photo: Sae-woong Ju. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a0d43864-0521-4753-9f06-4154758e0dcb/Gwangju_2.png Print Article Archive - Gwangju Biennial: Home and Other Places Qavavau Manumie, Canada Pavilion in Gwangju’s Yangnim Art Centre, Gwangju Biennale. COURTESY OF KOFICE https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/9e7e0efe-2b4b-4b2b-aea0-9c7cab2ac2df/Gwangju_4.png Print Article Archive - Gwangju Biennial: Home and Other Places Shuvinai Ashoona, Home and Other Places [Group gathered around a broken sled], 2024. Mural. Photo: Sae-woong Ju. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b663a7f6-c6cc-4282-9125-88127de0bf19/Gwangju_3.png Print Article Archive - Gwangju Biennial: Home and Other Places - Make it stand out Seol-a Kim, Migrating body Domiciliating Soul, 2024. Oil and clay. Photo: Sae-woong Ju. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/75c74ec7-f8fb-49e5-a8e2-6de958974d8e/Gwangju_in_colour.jpg Print Article Archive - Gwangju Biennial: Home and Other Places - Make it stand out Community invited to colour in the walls in the last weeks of the exhibition. https://www.studiomagazine.ca/articles/2024/2/matter-and-spectacle monthly 0.5 2025-04-14 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ad89fbdd-19ac-4123-9df3-34f1c5874f01/ElAnatsui_1.png Print Article Archive - Matter and Spectacle - Make it stand out El Anatsui, Behind the Red Moon, Act I: The Red Moon, 2023. Metal bottle caps and mixed metal. Photo: Pack-Shot, COURTESY OF SHUTTERSTOCK. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8bd4c78a-7123-4d22-b4f7-3937c7f99c3a/ElAnatsui_2.png Print Article Archive - Matter and Spectacle - Make it stand out El Anatsui, Behind the Red Moon, Act III: The Red Wall, 2023. Metal bottle caps and mixed metal. Photo: 365 Focus Photography, COURTESY OF SHUTTERSTOCK. https://www.studiomagazine.ca/articles/2024/2/djuna-day monthly 0.5 2025-04-16 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/39782567-5512-469e-ac22-159a6eef07b5/1_Djuna+Day+-+Series+7+Turnings+1.jpg Print Article Archive - Djuna Day - Make it stand out Djuna Day, Series 7 Turnings, 2017. Douglas fir with ebony dye, 213/158/122 x 18 cm. Photo: Danika Zandboer. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/611dac9c-d45a-4ee9-8141-943a3a80a27b/3_Djuna+Day+-+Series+7+Turnings+3.jpg Print Article Archive - Djuna Day - Make it stand out Djuna Day, Series 7 Turnings (detail), 2017. Douglas fir with ebony dye, 213/158/122 x 18 cm. Photo: Danika Zandboer. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5072a8e5-c0ea-42bc-9017-8f7bcb7ec3eb/5_Djuna+Day+-+Series+7+Turnings+5.jpg Print Article Archive - Djuna Day - Make it stand out Djuna Day, Series 7 Turnings (detail), 2017. Douglas fir with ebony dye, 213/158/122 x 18 cm. Photo: Danika Zandboer. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1733530056182-2152FI9DQKQKH82S2I7O/6_Djuna+Day+-+The+Botanicals1.jpg Print Article Archive - Djuna Day - Make it stand out Djuna Day, The Botanicals, 2019. Douglas fir with ebony dye, 137 x 86 x 31 cm. Photo: Danike Zandboer. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d512cc30-0b2d-4888-94d1-99c0b997e081/9_Djuna+Day+-+The+Botanicals4.jpg Print Article Archive - Djuna Day - Make it stand out Djuna Day, The Botanicals (detail), 2019. Douglas fir with ebony dye, 137 x 86 x 31 cm. Photo: Danike Zandboer. https://www.studiomagazine.ca/articles/2024/2/caroline-pham monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1733527920313-QDHAUGQV94G35F86YCE3/CarolinePham_1.png Print Article Archive - Caroline Pham - Make it stand out Caroline Pham, Floralis Armlet, 2023. Sterling silver, from the 2023 collection "Climate Strange". Photo: ORA-C. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c32fdfa6-0c2a-4bda-a77e-b2eb735759c6/CarolinePham_4.png Print Article Archive - Caroline Pham - Make it stand out Caroline Pham, Liquid Nodules ring, 2023. Brass, from the 2023 collection "Climate Strange". Photo: ORA-C. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/2553b252-6104-4275-9b5a-8ff8cc56e086/CarolinePham_2.png Print Article Archive - Caroline Pham - Make it stand out Anthony wears the Floralis Collar, the Germinati earrings and the Capri Thorn earcuff in brass, from the 2023 lookbook called "Climate Strange". 2023. Photo: Feng Jiang. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/31e1b05d-c7e8-4750-802f-2a0660336fb9/CarolinePham_3.png Print Article Archive - Caroline Pham - Make it stand out Caroline Pham, Focalis Shrine ring, 2023. Brass set with carnelian and mother of pearl stones, from the 2023 collection "Climate Strange". Photo credit: ORA-C. https://www.studiomagazine.ca/articles/2024/2/aja-louden monthly 0.5 2024-12-06 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/99073780-a4f7-40a9-b0fb-313509753f1f/AJALouden_1.png Print Article Archive - AJA Louden - Make it stand out AJA Louden, Mother with Okra, Saskatoon Berries, 2024. Yarn, cosmic dust, polyester, felt, 122 x 200 cm. Photo: Blaine Campbell. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a5a6521e-d300-459f-9478-616f09bf38c5/AJALouden_2.png Print Article Archive - AJA Louden - Make it stand out AJA Louden, Daughter with Elm, Birch, Piney, 2024. Yarn, cosmic dust, polyester, felt, 123 x 200 cm. Photo: Blaine Campbell. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/12b0f4d0-4f6f-4601-bd84-f6dd6c7cbdb4/AJALouden_3.png Print Article Archive - AJA Louden - Make it stand out AJA Louden, Shame, 2024. Yarn, cosmic dust, polyester, felt, 202 x 140 cm. Photo: Blaine Campbell. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ff98e27a-00ee-4d18-bf61-2cb01bce7c59/AJALouden_4.png Print Article Archive - AJA Louden - Make it stand out AJA Louden, Solarpunk Dalia, 2023. Yarn, cosmic dust, polyester, felt, 97 x 97 cm. Photo: Blaine Campbell. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/4089ce7e-4ebf-4609-b3b5-c92dca2a1490/AJALouden_5.png Print Article Archive - AJA Louden - Make it stand out AJA Louden, Solarpunk Rose, 2023. Yarn, cosmic dust, polyester, felt, 71 x 71 cm. Photo: Blaine Campbell. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2024/2/focal-point-sameer-farooq monthly 0.5 2025-04-15 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/21f38195-6c25-4a17-ba73-c9d0a98105b9/Copy+of+6-HeapofRandomSweepings.png Print Article Archive - Focal Point: Sameer Farooq Sameer Farooq, A Heap of Random Sweepings, 2021. Installation view, Photo: Toni Hafkensheid, COURTESY OF THE ARTIST AND GALERIE NICOLAS ROBERT. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5b66532c-3770-4dab-b7e0-0b1a3740928b/FairestOrderFarooq.png Print Article Archive - Focal Point: Sameer Farooq Sameer Farooq, The Fairest Order in the World, 2023. Installation view, Photo: Steve Farmer, COURTESY OF THE ARTIST AND GALERIE NICOLAS ROBERT. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5f8368ab-218c-45c0-b92c-6302d2cdfde1/Copy+of+3-PSWA.jpg Print Article Archive - Focal Point: Sameer Farooq - Make it stand out Sameer Farooq, The Fairest Order in the World, 2023. Installation view, Photo: Steve Farmer, COURTESY OF THE ARTIST AND GALERIE NICOLAS ROBERT. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/834d5917-a1f2-40cc-a1fd-45afae7d3b15/Copy+of+14-Stonecroft.jpg Print Article Archive - Focal Point: Sameer Farooq Sameer Farooq at the Stonecroft Artist in Residency, Agnes Etherington Art Centre, Queen University, 2024, Photo: Viara Mileva. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e846ae5e-a692-48db-9142-984803070252/Copy+of+13-FlatbreadLibrary.jpg Print Article Archive - Focal Point: Sameer Farooq - Make it stand out Sameer Farooq, Flatbread Library, 2024. Installation view, bread, wood, netting and fabric. Photo: Toni Hafkensheid, COURTESY OF THE ARTIST AND GALERIE NICOLAS ROBERT. https://www.studiomagazine.ca/articles/2008/1/the-undeniable-grand-dame-of-craft monthly 0.5 2024-12-09 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/89fa7be0-26ad-4c73-913b-56dada745c3a/JeanMcMasterJohnson_1941_LakeSimcoe.png Print Article Archive - The Undeniable Grand Dame of Craft Jean McMaster (Johnson) aged 17, Lake Simcoe, 1941. Photo: H.R. Nibel Studio. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ec09c101-efa3-4ccc-9d39-3c9e75da7e9f/JeanMcMasterJosonwithcousinGeorge+1926.png Print Article Archive - The Undeniable Grand Dame of Craft Jean McMaster (Johnson) aged 2 and 3 with cousin George, 1926-1927. Photo: H.R. Niebel Studio, Orillia. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/96554067-cf35-4231-a6f2-985286077ac8/A5JeanJohnson3.jpg Print Article Archive - The Undeniable Grand Dame of Craft - Make it stand out Harbourfront Centre, Ceramic Studio (Jurgen Sommerer pots), 1979. Photo: Tom Sandler. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/48a90375-739d-4208-bc93-fc62e907686d/JeanJohnsonatfundraiser1994.png Print Article Archive - The Undeniable Grand Dame of Craft Jean Johnson at Harbourfront Centre, Beyond the Pink Flamingo - Craft Studio Fundraiser, 1994. Photo: Tom Sandler. https://www.studiomagazine.ca/articles/2024/1/interview-shuvinai-ashoona monthly 0.5 2024-05-31 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1717170141236-AYGLOQLJUTA37XI2TD8R/ShuvinaiAshoona_Portrait.jpeg Print Article Archive - ‘If I don’t draw them, only I can see them’ - Make it stand out Shuvenai Ashoona, 2024. Photo: Kitra Cahana https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/10342bbd-69f8-4619-b8c0-978fcb403b2e/Shuvinai+Ashoona+Arctic+Evening+2003.png Print Article Archive - ‘If I don’t draw them, only I can see them’ - Make it stand out Shuvinai Ashoona, Arctic Evening, 2003. Lithograph, 57 x 76.5 cm. COURTESY OF DORSET FINE ARTS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/f67fabff-309f-4080-9e55-764335eef31e/8_Shuvinai_Inner+Worlds.png Print Article Archive - ‘If I don’t draw them, only I can see them’ - Make it stand out Shuvinai Ashoona, Inner Worlds, 2014. Lithograph, 76.3 x 57 cm. COURTESY OF DORSET FINE ARTS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0d3e2588-349b-44ae-91a1-31c5ccf1130e/Shuvinai+Ashoona+Vancouver+Rivers+2022.png Print Article Archive - ‘If I don’t draw them, only I can see them’ - Make it stand out Shuvinai Ashoona, Vancouver Rivers, 2022. Single-plate etching, Edition of 20, 77 x 112 cm. Photo: Byron Dauncey. COURTESY OF MARION SCOTT GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c27f3b2e-ac96-4f77-b9f8-2932eab062f0/9_Shuvinai_Octopuses.png Print Article Archive - ‘If I don’t draw them, only I can see them’ - Make it stand out Shuvinai Ashoona, Octopuses, 2017. Lithograph, 56.2 x 38.2 cm. COURTESY OF DORSET FINE ARTS. https://www.studiomagazine.ca/articles/2024/1/makers-and-the-markers-of-time monthly 0.5 2024-12-07 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/3cf6b960-7961-4e69-a303-0b9b4a1c4068/1-Piranesi.jpg Print Article Archive - Makers and the Markers of Time - Make it stand out Giovanni Battista Piranesi, Arch of Titus, 1760. Engraving, 40.5 × 61.8 cm. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fecd6d48-3e95-4150-b470-1a7a28dea4f6/4_IMG_3382.jpg Print Article Archive - Makers and the Markers of Time - Make it stand out Sarah Beck, Mille Livres - Beirut, 2009. Coloured sand, Height x Width x Depth in cm. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2024/1/interlaced-practices monthly 0.5 2024-05-29 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/263d6b2e-2c2e-45d8-8479-ca7421e9fa0c/Prairie+Interlace+Weaving+Modernisms+and+the+Expanded+Frame+.png Print Article Archive - Interlaced Practices: Creativity and Craft in the Canadian Prairies - Make it stand out Prairie Interlace: Weaving, Modernisms and the Expanded Frame, 1960-2000 (installation view), Nickle Galleries. Photo: Dave Brown, LCR PhotoServices. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1752271f-b982-4fde-9e9c-16360be18a6e/PrarieInterlaceInstall2.png Print Article Archive - Interlaced Practices: Creativity and Craft in the Canadian Prairies - Make it stand out Prairie Interlace: Weaving, Modernisms and the Expanded Frame, 1960-2000 (installation view), Nickle Galleries. F. Douglas Motter, This Bright Land, 1976, City of Calgary Public Art Collection, Gift of the Calgary Allied Arts Foundation, 1983 990072 A-F, Photo: Dave Brown, LCR PhotoServices. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b53c1a69-6089-45df-be6b-1b8a3789f648/PrarieInterlaceInstall3.png Print Article Archive - Interlaced Practices: Creativity and Craft in the Canadian Prairies - Make it stand out Prairie Interlace: Weaving, Modernisms and the Expanded Frame, 1960-2000 (installation view), Nickle Galleries. Photo: Dave Brown, LCR PhotoServices. https://www.studiomagazine.ca/articles/2024/1/shadow-archives-and-legacies monthly 0.5 2024-07-09 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1720503331939-K6R8K0XCOTP0253LWKL9/1_Relational+Making+Clay+vessel.jpg Print Article Archive - Shadow Archives and Legacies of Creative Material Practice - Marissa Y. Alexander, i dreamt i swam with you (detail), 2020. Hand-built white stoneware, various glazes and fired to cone 5, 57 x 46 x 34 cm. COURTESY OF THE ARTIST. For ceramic artist Marissa Y Alexander, water evokes memories of home and deep feelings of well being. The surface of her large coil-built vessel i dreamt i swam with you (2020) is decorated with an underwater scene where blissed out babes with buoyant, beautiful hair in bright, patterned bathing suits float, glide and kick through lotus-like flowers and green sea grass. All of the swimmers float with their eyes closed, their faces lit with soft, happy smiles. Created while the Black Lives Matter movement protests called for justice and much of the world was in lockdown due to the COVID-19 pandemic, i dreamt i swam with you is a profound meditation on the importance of building a rich inner world that centres calm, connection, movement and joy. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1720503565392-ZSFMU50RVGJMW9H776FN/3_swimwithme1_001_5001+copy.jpg Print Article Archive - Shadow Archives and Legacies of Creative Material Practice - Marissa Y. Alexander, i dreamt i swam with you (detail), 2020. Hand-built white stoneware, various glazes and fired to cone 5, 57 x 46 x 34 cm. COURTESY OF THE ARTIST. Relational maker KC Adams (Ininnew/Anishinaabe/British) recently posted on Instagram about her resistance to the labels “artist” and “craft artist,” terms she understands as being entrenched in a European worldview and colonial logic that is antithetical to the vital cultural knowledge embodied in the practices of Indigenous makers. In her reel, she spoke about having a waking dream in which “relational maker” and “relational making” came to her as ways of describing who she is and how she makes. For Adams, relational making is “the skilful production of objects, new media, or performance by an Indigenous person that infuses Indigenous knowledge systems such as relational, locational, spiritual, communal, or holistic understanding” into work and practice. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1720504554045-2LTXSNL9W8ZABNMYCQ1U/hungry-purse-1.jpg Print Article Archive - Shadow Archives and Legacies of Creative Material Practice https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0a5ffa2a-2ac0-4f54-8ec9-43f7f6a0e4af/KCAdams_RelationalMaking.png Print Article Archive - Shadow Archives and Legacies of Creative Material Practice - Make it stand out KC Adams, Relational Making: Clay Vessel, 2023. Digital print, 168 x 129 cm. COURTESY OF THE ARTIST. Relational maker KC Adams (Ininnew/Anishinaabe/British) recently posted on Instagram about her resistance to the labels “artist” and “craft artist,” terms she understands as being entrenched in a European worldview and colonial logic that is antithetical to the vital cultural knowledge embodied in the practices of Indigenous makers. In her reel, she spoke about having a waking dream in which “relational maker” and “relational making” came to her as ways of describing who she is and how she makes. For Adams, relational making is “the skilful production of objects, new media, or performance by an Indigenous person that infuses Indigenous knowledge systems such as relational, locational, spiritual, communal, or holistic understanding” into work and practice. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0620ef47-1f77-4fdc-b96b-2c4305d5f1a2/MarissaYAlexander_SwimWithMe.png Print Article Archive - Shadow Archives and Legacies of Creative Material Practice - Make it stand out Marissa Y Alexander, i dreamt i swam with you (detail), 2020. Hand-built white stoneware, various glazes and fired to cone 5, 57 x 46 x 34 cm. COURTESY OF THE ARTIST. For ceramic artist Marissa Y Alexander, water evokes memories of home and deep feelings of well being. The surface of her large coil-built vessel i dreamt i swam with you (2020) is decorated with an underwater scene where blissed out babes with buoyant, beautiful hair in bright, patterned bathing suits float, glide and kick through lotus-like flowers and green sea grass. All of the swimmers float with their eyes closed, their faces lit with soft, happy smiles. Created while the Black Lives Matter movement protests called for justice and much of the world was in lockdown due to the COVID-19 pandemic, i dreamt i swam with you is a profound meditation on the importance of building a rich inner world that centres calm, connection, movement and joy. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8b450fd8-403f-47ab-8f2f-8cad8c4b8f8a/hungry-purse-1.jpg Print Article Archive - Shadow Archives and Legacies of Creative Material Practice - Make it stand out Allyson Mitchell, Hungry Purse: The Vagina Dentata in Late Capitalism (2004-ongoing). Many of Allyson Mitchell’s materially maximalist artworks involve a fulsome remediation of the space to create immersive environments that invite guests into a queer feminist paradigm shift. One such work is Mitchell’s Hungry Purse: The Vagina Dentata in Late Capitalism (2004-ongoing) in which guests pass through the knit and crocheted folds of a love canal and enter into a space transformed by kitschy, bright, tactile textiles. This unruly work, constructed from reclaimed granny-square blankets and campy fun-fur, celebrates the beautiful and affective handicraft creativity of women and femmes while doing battle with the pervasive cultural misogyny and machismo that structures western institutional spaces. https://www.studiomagazine.ca/articles/2024/1/ordered-experimentation-jenny-judge monthly 0.5 2024-05-29 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1716997850751-9S5JXOWON60849LQVDF9/Jenny+Judge+in+studio.png Print Article Archive - Ordered Experimentation - Make it stand out Jenny Judge in studio, 2023. Photo: Mads Colvin. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5f851132-0dd5-4795-a7b9-15f3c24a7f33/Phase+Transition+%28detail%29%2C+2023.png Print Article Archive - Ordered Experimentation - Make it stand out Jenny Judge, Phase Transition (detail), 2023. Dyed cast-plaster and acrylic paint. Photo: Louise Park. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5c67dff9-1ef7-4f79-afcf-551cddd90880/Jenny+Judge+walking+through+Phase+Transition+.png Print Article Archive - Ordered Experimentation - Make it stand out Jenny Judge walking through Phase Transition (installation view), 2023. Photo: Alex Montes. https://www.studiomagazine.ca/articles/2024/interview-kye-yeon-son monthly 0.5 2024-12-09 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/243e0b75-7457-40de-af43-db6874fd54cd/Innate+Beauty+2023-5.png Print Article Archive - Open Vessels - Make it stand out Kye-Yeon Son, Innate Beauty 2023-5, 2023. Steel, gold and silver plate, 10 x 225 x 22 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d958dbe0-6569-4031-be0f-d2833eb541e7/32_kson_Innatus+Forma+2022-1.png Print Article Archive - Open Vessels - Make it stand out Kye-Yeon Son, Innatus Forma 2012-1, 2012. Steel, heat colouring and powder coating, 11 x 11 x 35 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d9f0391c-4bbd-4d98-b194-ca043c6d4708/3_kyeYeonSon_studio.png Print Article Archive - Open Vessels - Make it stand out Kye-Yeon Son in the studio. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/6c849ee3-0efc-4b02-9f9b-0c66bdccf0a3/1_kson_Innatus+Forma+2018-1.png Print Article Archive - Open Vessels - Make it stand out Kye-Yeon Son, Innatus Forma 2018-1, 2018. Steel wire, rust and wax finish, 110 x 110 x 355 cm. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2024/inquiries-tura-cousins-wilson monthly 0.5 2024-12-07 https://www.studiomagazine.ca/articles/2024/1/bronfman-louise-lemieux-berube monthly 0.5 2025-04-15 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b44100d9-16fc-4867-a74c-8f1f19c6377f/Louise+Lemieux+Be%CC%81rube%CC%81%2C+Compagnons.png Print Article Archive - Saidye Bronfman Award Winner: Louise Lemieux Bérubé - Make it stand out Louise Lemieux Bérubé, Compagnons, 2012. Coton, lin, laine et teinture, 168 x 244 cm. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/99fb3d0b-5e51-4533-bcbb-1f02c11d0276/03_Rodin_Claudel_no1.png Print Article Archive - Saidye Bronfman Award Winner: Louise Lemieux Bérubé - Make it stand out Louise Lemieux Bérubé, Rodin et Claudel no.1, 2012. Coton, lin et teinture, 244×412 cm. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/f26bdf5d-f19d-4a1b-9a4b-96e5cdf9014d/01_Dernier_dejeuner.png Print Article Archive - Saidye Bronfman Award Winner: Louise Lemieux Bérubé - Make it stand out Louise Lemieux Bérubé, Le dernier déjeuner sur l’herbe, 2005. Coton, laine et lin, 267 x 528 cm. https://www.studiomagazine.ca/articles/2024/1/focal-point-charmaine-lurch monthly 0.5 2024-05-29 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1716913791118-UASK2ZOO6PVHY4YPLCPC/Sycorax.png Print Article Archive - Focal Point: Charmaine Lurch - Make it stand out Charmaine Lurch, Sycorax, 2015, Copper, aluminum and other mixed wires, Dimensions Variable, Photographer: Toni Hafkensheid, COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8ea140f3-8c36-48cd-8d2b-b4a815f6e6ec/Sycorax_detail.png Print Article Archive - Focal Point: Charmaine Lurch - Make it stand out Charmaine Lurch, Sycorax, 2015, Copper, aluminum and other mixed wires, Dimensions Variable, Photographer: Toni Hafkensheid, COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d763ebad-b829-4bda-baa1-4dab9083bf82/charmaine_lurch.png Print Article Archive - Focal Point: Charmaine Lurch - Make it stand out Charmaine Lurch, 2015, Photo: Anne Zbitnew https://www.studiomagazine.ca/articles/2023/1/on-labour-liberty-and-art monthly 0.5 2025-02-13 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8d28c1ce-7a2a-474a-9b7e-ed64d1cf4fe7/Oluseye_Studio.png Print Article Archive - On Labour, Liberty and Art in the Work of Oluseye - Make it stand out Oluseye Ogunlesi in the studio, 2023. Photo: Michael Duong. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ac0050a5-f219-47e2-9435-78ddbfbfd102/PloughingLiberty.png Print Article Archive - On Labour, Liberty and Art in the Work of Oluseye - Make it stand out Oluseye Ogunlesi, Ploughing Liberty, 2021. Found farm tools, hockey sticks and brass dowels. Photo: Toni Hafkensheid. Courtesy of the artist. https://www.studiomagazine.ca/articles/2024/matt-jenkins monthly 0.5 2024-05-10 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/598f4b6c-4041-4dca-be81-1fe29c3eeb4b/7_Headshot1_CloverdaleForge.jpg Print Article Archive - Matt Jenkins - Make it stand out Matt Jenkins, 2019. Photo: Darcy Finley https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/975e2eda-0235-4ad3-af64-619511bc53ef/1_CloverdaleForge_CoatRack.jpg Print Article Archive - Matt Jenkins - Make it stand out Matt Jenkins, Natural Nouveau, 2018. Forged Steel, 30.5 x 102 x 6 cm. COURTESY OF CLOVERDALE FORGE. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a34e0547-13e0-4c9a-bfd8-d84edfa26e77/9_Cloverdale+Forge+_+Brackets+2.jpg Print Article Archive - Matt Jenkins - Make it stand out Matt Jenkins, Brackets, 2023. Forged Steel, 15 x 15 x 5 cm. COURTESY OF CLOVERDALE FORGE. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/03693aae-4787-4902-8785-76ad836ff98c/2_Cloverdale+Forge+_+Fire+set.jpeg Print Article Archive - Matt Jenkins - Make it stand out Matt Jenkins, Contour Tools with Stand, 2022. Forged Steel, 69 x 25 x 20 cm. COURTESY OF CLOVERDALE FORGE. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/97879d0f-67b4-483a-8583-9fae6ea1dd18/5_Cloverdale+Forge+_+Details.jpg Print Article Archive - Matt Jenkins - Make it stand out Matt Jenkins, Grasslands Railing (detail), 2018. Forged Steel. COURTESY OF CLOVERDALE FORGE. https://www.studiomagazine.ca/articles/2024/alana-morouney monthly 0.5 2024-05-10 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5cac2696-503f-4171-a3ff-fc0fbc5e22ec/AM_Knotwork%2C+2021.png Print Article Archive - Alana Morouney - Make it stand out Alana Morouney, Knotwork, 2021. Needle felting, wool, polygonum cuspidatum (knotweed), alum and cotton thread, 48 x 102 x 13 cm. COURTESY OF GALLERY ON QUEEN. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0c9821de-2b38-4202-8eeb-7fa3abc2aa2b/AM_I+feel+different%2C+spending+all+my+time+alone%2C+2020.png Print Article Archive - Alana Morouney - Make it stand out Alana Morouney, I feel different, spending all my time alone, 2020. Needle felted wool and acid dye, 14 x 30 x 13 cm. COURTESY OF OWENS ART GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1715118990669-ZUYZKNRVT13DM3Q9OAT6/AM_there+it+is%2C+2024.png Print Article Archive - Alana Morouney - Make it stand out Alana Morouney, there it is, 2024. Men have told me I made this with cotton thread, wool, leather and steel, 18 x 18 x 20 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/58832931-da98-48af-96b2-778269a2d617/AM_Dream-O-Scope%2C+2022.png Print Article Archive - Alana Morouney - Make it stand out Alana Morouney, Dream-O-Scope, 2022. Steel, plexiglass, mirror, wood, concrete, and rubber bicycle handles, 178 x 61 x 66 cm. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2024/2/alexa-kumiko-hatanaka monthly 0.5 2024-05-07 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/501ab571-aad1-4ce8-8c3a-c390b37fa985/AKH_2024.png Print Article Archive - Alexa Kumiko Hatanaka - Make it stand out Alexa Kumiko Hatanaka, some became memory, some a moment, 2023. Patchwork of handmade gampi papers and starch-strengthened washi scraps, natural dye, handcarved and hand printed linocuts, gyotaku, sumi ink and natural dye, 155 x 188 cm. Photo: Jean-Michael Seminaro. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1715118022228-TA6DGYOBZ3D348I8L0L1/AKH_mapping+anxiety_2023.png Print Article Archive - Alexa Kumiko Hatanaka - Make it stand out Alexa Kumiko Hatanaka, mapping anxiety, 2023. Hand carved and hand printed linocuts on handmade gampi paper, 193 x 314 cm. Photo: Jean-Michael Seminaro. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b94ce9f2-4a20-4316-be28-5fa35695b5e2/AKH_Thrashing+Tail%2C+2023.png Print Article Archive - Alexa Kumiko Hatanaka - Make it stand out Alexa Kumiko Hatanaka, Thrashing Tail, 2023. Linocut on kozo washi, 215.9 x 172.7 cm. Photo: Jean-Michael Seminaro. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/97cc11e1-3bd1-404d-80d1-d413437ee085/AKH_O%CC%84namazu+%28%E5%A4%A7%E9%AF%B0%29%2C+2023.png Print Article Archive - Alexa Kumiko Hatanaka - Make it stand out Alexa Kumiko Hatanaka, Ōnamazu (大鯰), 2023. Washi patchwork, printmaking, natural dye and ink, 178 x 325 cm. Photo: Jean-Michael Seminaro. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e70a6165-fa7d-4070-8988-ae1114054b16/AKH_Kochi+Koinobori%2C+2023.png Print Article Archive - Alexa Kumiko Hatanaka - Make it stand out Alexa Kumiko Hatanaka, Kochi Koinobori, 2023. Gyotaku, linocut, sumi, natural dye, rice bags, and starched washi, 31 x 102 cm. Photo: by Johnny Nghiem. https://www.studiomagazine.ca/articles/2024/dispatches-collect-2024 monthly 0.5 2024-03-14 https://www.studiomagazine.ca/articles/2023/2/each-pot-tells-a-story monthly 0.5 2024-05-21 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/9637cff4-b27f-4972-89dd-74a9495265e3/JudiandCindyHenhawk.png Print Article Archive - Each Pot Tells a Story Judi and Cindy Henhawk, 2022. Video still, ArTeach Video Series. COURTESY OF Glenhyrst Art Gallery. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/6a6bdcd7-0e79-44af-85e8-05d8ae9099da/3.+Elda+M.+Smith%2C+no+date%2C+private+collection.jpg Print Article Archive - Each Pot Tells a Story Elda M. Smith, Vase, Early 1970’s. Clay gathered from the land. Private Collection. Early 1970’s, Steve Smith’s mother. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c5c2d006-17fa-479d-9a25-adb327a896f8/8.+Santhony+Pottery+2%2C+no+date%2C+Santhony+Pottery+Facebook.png Print Article Archive - Each Pot Tells a Story Santhony Pottery, Medicine Keeper, 2012. Terra cotta earthenware, 7.6 x 7.6 x 7.6 cm. COURTESY OF Santhony Pottery. To keep medicines stored in a cool and dark vessel. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/3ccb1773-2ec6-4d92-8e85-740e7b7ff39b/11.+Santhony+Pottery+5%2C+no+date%2C+Image+courtesy+of+Santhony+Pottery.jpg Print Article Archive - Each Pot Tells a Story - Make it stand out Santhony Pottery, Mother Earth Bowl (detail), 2019. Terra cotta earthenware, 15 x 15 x 5 cm. COURTESY OF Santhony Pottery. Importance of teachings, fire at centre, teepees in a circle to represent community, and the sun to show the directions (East, West, North and South). https://www.studiomagazine.ca/articles/2023/2/trickster-ethics monthly 0.5 2023-11-28 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5fe7cc0e-adf3-4b7b-86b9-3e69c305b86c/KosisochukwuNNebe_language.png Print Article Archive - Trickster Ethics Artist photo waving flag - Is a language a flag what is a flag on stolen land, 2022. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/2dd91bb5-bba7-4d57-8b8d-c50d0b5eff93/1+-+Ihe+anyi+hapuru+-+both+pieces+%28photo+credit+to+artist%29.jpg Print Article Archive - Trickster Ethics Kosisochukwu Nnebe, Ihe Anyị Hapụru, 2023. Bronze, 25.4 x 19 x 5 cm and 6 x 24 x 8 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/f91ed98f-13d8-46f7-b62c-2fa1fc5192dd/17+-+I+want+you+to+know+%28photo+credit+Justin+wonnacott%29%284%29.jpg Print Article Archive - Trickster Ethics - Make it stand out Kosisochukwu Nnebe, I want you to know that I am hiding something from you / since what I might be is uncontainable (installation view), 2019. Mixed media, Dimensions variable. Photo: Justin Wonnacott. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/236e93ca-16e3-437c-812f-5342c583f71a/16+-+I+want+you+to+know+%28photo+credit+Justin+wonnacott%29.jpg Print Article Archive - Trickster Ethics Kosisochukwu Nnebe, I want you to know that I am hiding something from you / since what I might be is uncontainable (installation view), 2019. Mixed media, Dimensions variable. Photo: Justin Wonnacott. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e516ccce-eb6b-45a7-8fdf-481ff1694c39/20+-+I+want+you+to+know+%28photo+credit+Justin+wonnacott%29%283%29.jpg Print Article Archive - Trickster Ethics - Make it stand out Kosisochukwu Nnebe, I want you to know that I am hiding something from you / since what I might be is uncontainable (gallery view), 2019. Mixed media, Dimensions variable. Photo: Justin Wonnacott. https://www.studiomagazine.ca/articles/2023/2/focal-point-marie-khouri monthly 0.5 2024-05-28 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/3f2fb09e-6054-4e55-98e4-5b76382205b0/12+-+221015_mariekhouri_ilove-0329.jpg Print Article Archive - Focal Point: Marie Khouri - Make it stand out Marie Khouri, ‘I Love’ exhibition at the Art Gallery of Vancouver, 2022. Expanded polystyrene and polyurea hard coat. Variable dimensions. Photo: When They Find Us. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/740f13b6-cb8c-436a-be66-2571a1a3dccf/9-+Lets_Sit_And_Talk_1+copy.jpg Print Article Archive - Focal Point: Marie Khouri - Make it stand out Marie Khouri, Let’s Sit and Talk, 2014. Eps, polyurea hard coat limited edition 3. Variable dimensions. Photo: Ema Peter. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/40687005-8db6-4c3e-b47f-30668a938af5/5+-+DH2.jpeg Print Article Archive - Focal Point: Marie Khouri - Make it stand out Marie Khouri, DH2 (RED), 2013. Powdered bronze. 305 x 61 x 61 cm. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2023/2/power-in-the-making monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1697823546560-8V1M74VXQSQZ3SU0WQWH/1.+McCarthy+Album+04%2C+Photograph+219.png Print Article Archive - Power in the Making - Make it stand out D.L. James House, Carmel Highlands, 1920. COURTESY OF THE CALIFORNIA STATE ARCHIVES. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/36ba6fed-bd62-4168-ae84-c48e2e6d2ae3/quino-al-zjL2nfIoq3U-unsplash.jpg Print Article Archive - Power in the Making - Make it stand out Photo by Quino Al on Unsplash. https://www.studiomagazine.ca/articles/2023/2/cathie-harper monthly 0.5 2024-05-07 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ab8e99bc-ff4f-4084-9944-0410d1fed7ed/3_Leaves.jpg Print Article Archive - Cathie Harper - Make it stand out Cathie Harper, Leaves, 2016. Raku pottery base, hand dyed round reed for uprights and weavers and packing weave technique, 36 x 25 x 25 cm. PHOTO: Fran Hurcomb. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/9f708fb7-a3c9-4111-b6de-30faaf711c69/4_LightningAtMidnight.jpg Print Article Archive - Cathie Harper - Make it stand out Cathie Harper, Lighting at Midnight, 2016. Hand-built pottery base, hand dyed black and grey round reeds, grey yarn, recycled sari silk, twining, waling and packing weaves, 15 x 30 x 25 cm. PHOTO: Fran Hurcomb. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/76e18839-0123-4ec3-a562-be902396b6df/1_AuroraOnTheRocks.jpg Print Article Archive - Cathie Harper - Make it stand out Cathie Harper, Aurora On the Rocks, 2014. Hand-built raku pottery base, vine rattan uprights, natural flat oval reed weavers, continuous over and under weave, 43 x 46 x 31 cm. PHOTO: Fran Hurcomb. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/01761e72-7e59-4d1c-ad45-f667d8d6ba5e/5_WomanInterrupted.jpg Print Article Archive - Cathie Harper - Make it stand out Cathie Harper, Woman Interrupted, 2005. Raku pottery base, wild willow and twining weave, 76 x 46 x 36 cm. PHOTO: Fran Hurcomb. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a30741c1-d338-47e8-93c7-b201593f0595/2_PortraitOfTwoLadies.jpg Print Article Archive - Cathie Harper - Make it stand out Cathie Harper, Portrait of Two Ladies, 2022. Heavy duty metal zippers, craft wire, waxed linen, and coiling technique, 43 x 35 x 20 cm. PHOTO: Fran Hurcomb. https://www.studiomagazine.ca/articles/2023/2/jean-sebastien-gauthier monthly 0.5 2023-10-25 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1697824882067-9ZDV6DXA8GU1LOLRBWM6/JSGauthier1.png Print Article Archive - Jean-Sébastien Gauthier - Make it stand out Jean-Sébastien Gauthier, Fulcrum, 2023. Chopping block and hewn wood, custom software with open-source electronics, 178 x 102 x 46 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7014f0e0-9e69-4e97-b663-8560dcc2bc29/Container_JSG.png Print Article Archive - Jean-Sébastien Gauthier - Make it stand out Jean-Sébastien Gauthier, Container (Parenthetical Curly Braces), 2023. Laminated pine, 91 x 91 x 9 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/bb4fa0f8-3c83-4c31-b32a-917cdd7d771e/Fulcrum2.png Print Article Archive - Jean-Sébastien Gauthier - Make it stand out Jean-Sébastien Gauthier, Fulcrum (installation view), 2023. Chopping block and hewn wood, custom software with open-source electronics, 178 x 102 x 46 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8ba99d2a-b46c-4ca7-8dbf-9cc091cdac94/Level.png Print Article Archive - Jean-Sébastien Gauthier - Make it stand out Jean-Sébastien Gauthier, Level, 2023. Birch and poplar wood, projector, custom software with open-source electronics, 91 x 43 x 61 cm. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2023/2/stina-baudin monthly 0.5 2023-10-25 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/3f9fb529-2cc9-49fc-a832-42b72ac24f50/Stina+Baudin%2C+Revelations+%28detail%29%2C+2020.png Print Article Archive - Stina Baudin - Make it stand out Stina Baudin, Revelations (detail), 2020. Cotton and linen, 110 x 56 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a7953001-8281-4bbc-a17b-569366beb757/StinaBaudin_Revelations2020.png Print Article Archive - Stina Baudin - Make it stand out Stina Baudin, Revelations, 2020. Cotton and linen, 110 x 56 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/452e915d-f08c-4813-9bd8-f1a381b5f7e9/Stina+Baudin%2C+Internal+Algorithms+%28Listen+to+your+ancestors%2C+they+have+all+the+answers%29+%5Bdetail%5D%2C+2022.png Print Article Archive - Stina Baudin - Make it stand out Stina Baudin, Internal Algorithms (Listen to your ancestors, they have all the answers) [detail], 2022. Linen, cotton, cowrie shells and hair, 242cm (7.9ft with structure- 222cm without) Width: 100cm flat). COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e4db582d-4922-4ab4-b0d5-b714b35dc77d/1.+Internal-algorithms-2.0.jpg Print Article Archive - Stina Baudin - Make it stand out Stina Baudin, Internal Algorithms (Listen to your ancestors, they have all the answers), 2022. Linen, cotton, cowrie shells and hair, 242cm (7.9ft with structure- 222cm without) Width: 100cm flat). COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/4419328a-2f8a-496b-94c3-a9377d1d5b2d/6.+WOMENOFDIASPORA-STINABAUDIN.png Print Article Archive - Stina Baudin - Make it stand out Stina Baudin, Women of the diaspora, 2020. Cotton, ink, and embroidery thread, 30 x 40 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a284472f-5bb8-4a17-b519-d259b7554c38/StinaBaudin_DataStudies.png Print Article Archive - Stina Baudin - Make it stand out Stina Baudin, Data studies: Caribbean- Canadian Geographies 86-96, 2020. Linen and cotton. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2023/inquiries-zimra-beiner monthly 0.5 2024-05-28 https://www.studiomagazine.ca/articles/2019/four-revolutionary-moves monthly 0.5 2023-06-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/f711a95d-6d34-4ef7-bcad-ba9cd2b33cc4/ShonaRae.png Print Article Archive - Four Revolutionary Moves: Dancing with Craft - Make it stand out Shona Rae, Bluebeard’s Castle/Death (XIII), detail, 2002/2007, sterling silver, fine silver (pmc), copper screen, beeswax, garnet, constructed with cast, formed, and pierced components, sculptural ring with articulation,. 11.5” x 2” x 2.2”; Death, 13” https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/280ae980-b414-4499-98a0-7ae58d150af0/Kablusiak.png Print Article Archive - Four Revolutionary Moves: Dancing with Craft - Make it stand out Kablusiak, Listerine, 2018, soapstone, 7” x 3.5” x 1.5” https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8e7a2f0e-9c3f-4b89-8843-76d6973bcd15/Lumiel+Studios.png Print Article Archive - Four Revolutionary Moves: Dancing with Craft - Make it stand out Lumel Studios, Long-term Care Home Workshop https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/740b0aa5-a3c8-4b86-bf02-182045189942/LexieOwen.png Print Article Archive - Four Revolutionary Moves: Dancing with Craft - Make it stand out Lexie Owen, ODD JOBS, maintenance performance, 2017. Photo credit: Patrick McNabb https://www.studiomagazine.ca/articles/2020/1/edmonton-indigenous-art-park monthly 0.5 2023-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ac74aedb-c83a-4309-b7e1-2acbf3848ecf/Amy+Malbeuf%2C+iskotew%2C+2018.png Print Article Archive - ᐄᓃᐤ (ÎNÎW) River Lot 11∞ Edmonton's Indigenous Art Park: A place for inspiration to learn, grow and create - Make it stand out Amy Malbeuf, iskotew, 2018. Painted steel, varied measurements. PHOTO: CONNOR McNALLY. COURTESY OF EDMONTON ARTS COUNCIL https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e30007bc-d825-4f86-83ab-1bba75703f93/Preparing+to+Cross+the+Sacred+River+by+Marianne+Nicolson+photo+Derrick+Ferry+%281%29.jpg Print Article Archive - ᐄᓃᐤ (ÎNÎW) River Lot 11∞ Edmonton's Indigenous Art Park: A place for inspiration to learn, grow and create - Make it stand out Marianne Nicolson, Preparing to Cross the Sacred River, 2018. River rock and sandblasted slab rock. PHOTO: DERRICK FERRY. COURTESY OF EDMONTON ARTS COUNCIL https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fc0b4d88-6e2f-418f-afca-87cc68ca7ee6/Duane+Linklater%2C+Mikikwan%2C+2018.png Print Article Archive - ᐄᓃᐤ (ÎNÎW) River Lot 11∞ Edmonton's Indigenous Art Park: A place for inspiration to learn, grow and create Duane Linklater, Mikikwan, 2018. Concrete. PHOTO: SANDRA CROWFOOT. COURTESY OF EDMONTON ARTS COUNCIL https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/f02bf430-a3c1-4022-aee9-1a1f30748e0d/MABarkhouse003.JPG-photo+credit+Sandra+Crowfoot+%281%29.JPG Print Article Archive - ᐄᓃᐤ (ÎNÎW) River Lot 11∞ Edmonton's Indigenous Art Park: A place for inspiration to learn, grow and create - Make it stand out Mary Anne Barkhouse, Reign, 2018. Bronze and granite. PHOTO: SANDRA CROWFOOT. COURTESY OF EDMONTON ARTS COUNCIL https://www.studiomagazine.ca/articles/2023/interview-meghan-price monthly 0.5 2023-10-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d91e37f8-b11f-40ed-a6d2-c23df7baae05/2_MPrice+Fragment+series+install+credit+Colleen+McCarten.jpg Print Article Archive - Thread Count - Make it stand out Meghan Price, Fragment Series (part of the Best Estimate Exhibition), 2022. Woven cotton and waste plastic. Photo: Coleen McCarten. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c96bcaf6-dff2-4023-889c-182daee9f3ce/14_Fragments+process+credit+Meghan+Price.JPG Print Article Archive - Thread Count - Make it stand out Fragments process, 2022. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1681709712340-OOFL3TXHLOLA46ZOBURM/28_MPrice+with+TC2+in+Montreal+studio+2023+credit+Eric+Williams.jpg Print Article Archive - Thread Count - Make it stand out Meghan Price with TC2 in her Montreal studio, 2023. Photo: Eric Williams. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/3bd52847-c784-4e28-8783-79a4811e505d/23_HC+detail+2+credit+Meghan+Price.JPG Print Article Archive - Thread Count - Make it stand out Hitchcock's Coal process, 2022. Courtesy of the artist. https://www.studiomagazine.ca/articles/2023/1/aging-in-craft monthly 0.5 2023-04-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b5b04c2e-0363-474c-a7ab-41a85682eaf2/08+-+XEBO4796.JPG Print Article Archive - Making Over Time: Aging and craft practices Nancy E. Oakley working with a clay mold, 2021. Photographer: Cory Katz https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7bca6339-e90c-47c6-871c-a71a09ff3d69/01ancestralpottery.jpg Print Article Archive - Making Over Time: Aging and craft practices - Make it stand out Nancy E. Oakley, Sacrifice, 2018. Mica clay and sweetgrass, 10.75 x 9 x 10.75 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d1225f0f-dcc4-4a41-93a5-3c99c09683f9/IMG_5821.jpeg Print Article Archive - Making Over Time: Aging and craft practices - Make it stand out Lynette Richards in her studio. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/edc4a72c-c6f7-4593-9667-a619d47920cb/02+ANIMAL+VEGETABLE+MINERAL+exhibition+installation_photo+Brian+Medina_Harbourfront+Centre.jpg Print Article Archive - Making Over Time: Aging and craft practices - Make it stand out ANIMAL VEGETABLE MINERAL exhibition installation. Photo: Brian Medina, COURTESY OF HARBOURFRONT CENTRE. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/02a0da93-8a90-4984-aa06-b4e116b93ad0/Gogarty_in_studio.JPG Print Article Archive - Making Over Time: Aging and craft practices Amy Gogarty in her studio. 2023. Photo: Ray Gogarty. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a58c34c6-9240-4f8c-b724-31029e88dc86/Gogarty_Perron_And+These+Are+Crimes.jpeg Print Article Archive - Making Over Time: Aging and craft practices - Make it stand out Mireille Perron and Amy Gogarty, And These Are Crimes (detail: Authority), 2023, four cone six electric-fired plates (piled) with laser decal texts, hand-hooked wool rug; plates 18cm dia, rug 33 cm dia. Photo Mireille Perron. https://www.studiomagazine.ca/articles/2023/1/focal-point-azza-el-siddique monthly 0.5 2023-04-28 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/891dac77-a5d4-4fcb-80e3-9798ffb1cb71/AeS_Install.png Print Article Archive - Azza El Siddique - Make it stand out Azza El Siddique, Dampen the flame; Extinguish the fire (Installation), 2022. Photo: Sebastian Bach. COURTESY OF THE ARTIST AND HELENA ANRATHER, NEW YORK. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/aa65b968-c103-472f-b151-f9d137b386c1/2.+Dampen+the+flam Print Article Archive - Azza El Siddique - Make it stand out Azza El Siddique, gate of flaming-front, hidden back, 2022. Dry stone, iron oxide, 35.5 x 162.5 x 20 cm (Snake), 77 x 244 x 62 cm (Plinth). Photo: Sebastian Bach. COURTESY OF THE ARTIST AND HELENA ANRATHER, NEW YORK. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0d726952-89f7-4cc0-a690-761aeb632902/4.+Miller+Fig+4.jpg Print Article Archive - Azza El Siddique Azza El Siddique, Memory of One (detail), 2020. Clay, expanded steel, steel, rust, water. COURTESY GARDINER MUSEUM. https://www.studiomagazine.ca/articles/2023/1/the-work-of-things monthly 0.5 2024-01-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/280eb91e-2948-42cc-a21b-6bdbfdf4b52f/4_Shifting+Ground+Symposium+-+Courtesy+of+Harbourfront+Centre+-+5.jpg Print Article Archive - The Work of Things Shifting Ground Symposium, Material and the Immaterial Panel with Zavisha Chromicz, Omar Badrin and moderator Sarah Quinton, 2022. Courtesy of Harbourfront Centre. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/61ed1d45-df47-49cb-9bf7-0f47595a7557/2_Shifting+Ground+Symposium+-+Courtesy+of+Harbourfront+Centre+-+2.jpg Print Article Archive - The Work of Things Shifting Ground Symposium, Material and the Immaterial Panel with Zavisha Chromicz, Omar Badrin and moderator Sarah Quinton, 2022. Courtesy of Harbourfront Centre. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ceac83ef-ebdf-4399-9f32-7634aa187a6e/6_20230302_113426.jpg Print Article Archive - The Work of Things - Make it stand out Ivonne Hernandez Farias, Red Leaf Doily, 2013. Cotton, 115 cm diameter. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/48976e65-7d1d-4c79-93b2-fd16d084782d/10_20230302_112324.jpg Print Article Archive - The Work of Things - Make it stand out Ivonne Hernandez Farias, Red Leaf Doily (detail), 2013. Cotton, 115 cm diameter. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ee946181-0c4e-4d9d-b925-6c0f56324fb0/Zentralbibliothek_Zu%CC%88rich_Das_Kapital_Marx_1867.jpg Print Article Archive - The Work of Things Karl Marx, Das Kapital, 1867. COURTESY OF ZENTRALBIBLIOTHEK ZÜRICH and WIKIPEDIA CREATIVE COMMONS. https://www.studiomagazine.ca/articles/2023/inquiries-bruno-vinhas monthly 0.5 2023-10-20 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d84d329c-f25d-4b7e-85dd-68c1e213d025/CCNL+MEMBERS+EXHIBITION+2018+%281%29.jpg Print Article Archive - Bruno Vinhas - Make it stand out Annual Members Exhibition, Craft Council Of Newfoundland and Labrador. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e3053d06-ef23-4df6-9665-81132edfbdc2/Crafted+Beasts+-+Curate+by+Bruno+Vinhas%2C+pieces+in+photo+by+Tucker+Ellis%2C+Michael+Harlick%2C+Stephanie+Stoker%2C+Vicky+NOrthey+and+Janet+Peter.jpg Print Article Archive - Bruno Vinhas - Make it stand out Crafted Beasts, 2019. Craft Council Of Newfoundland and Labrador. https://www.studiomagazine.ca/articles/2023/1/renaud-sauve monthly 0.5 2023-10-20 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0abeb738-30d3-4073-a840-ba96c5c34ce9/%232.jpg Print Article Archive - Renaud Sauvé - Make it stand out Renaud Sauvé, Intertwined vegetal, 2021. Carved lid of a porcelain box with clear glaze, 7 x 11 x 11 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b988ba06-1769-4c0a-86a7-bf51c0a62fa1/RS_animals.png Print Article Archive - Renaud Sauvé - Make it stand out Renaud Sauvé, Candle snuffers, 2020. Porcelain and clear glaze, varied dimensions, Photo: Blaise Misiek. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/265b1f8d-790c-4e3c-ac7d-990e3bd768db/%237.jpg Print Article Archive - Renaud Sauvé - Make it stand out Renaud Sauvé, The Wave, 2021. Porcelain, clear glaze and etched with needle (mishima technique), 10 x 7 x 7 cm. Photo: James Arthurs https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c77622b3-60b3-4094-9d19-40a074608d4c/%234.JPG Print Article Archive - Renaud Sauvé - Make it stand out Renaud Sauvé, Cosmic Box, 2021. Porcelain, cobalt glass beads and clear glaze, 7 x 7 x 14 cm. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2023/1/adrian-martinus monthly 0.5 2023-04-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/09c0fa4a-8419-4d8c-b2ab-1bf03cff1878/4_Stackton+Credenza_AdrianMartinus.png Print Article Archive - Adrian and Martinus Pool - Make it stand out Adrian and Martinus Pool. Stackton Credenza, 2018-present. White Oak, recycled skateboards and plywood, 165 x 51 x 64 cm. COURTESY OF ADRIANMARTINUS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/57cc1900-3d18-4ec6-9fd6-52887fa15a09/8_Hexagon+Wall+Art_AdrianMartinus.png Print Article Archive - Adrian and Martinus Pool - Make it stand out Adrian and Martinus Pool. Hexagon Wall Art, 2020-present. Recycled skateboards and plywood, 47.6 x 41.3 x 2 cm. COURTESY OF ADRIANMARTINUS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/dd263708-35e3-4a9b-85b6-684323003c37/1_R5_AdrianMartinus.png Print Article Archive - Adrian and Martinus Pool - Make it stand out Adrian and Martinus Pool. R5 Coffee Table, 2018-present. Recycled Skateboards, walnut and plywood, 122 x 56 x 46 cm. COURTESY OF ADRIANMARTINUS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d4ff1140-c1ec-4505-b33d-ed43ea541c3a/5_Cribbage+Board_AdrianMartinus.png Print Article Archive - Adrian and Martinus Pool - Make it stand out Adrian and Martinus Pool. Cribbage Board, 2022. Maple and recycled skateboards, 10 x 36 x 2 cm. COURTESY OF ADRIANMARTINUS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7cac0084-2a35-4d94-8aef-07cc03a09d4c/6_Skateboard+Bowls_AdrianMartinus.png Print Article Archive - Adrian and Martinus Pool - Make it stand out Adrian and Martinus Pool. Skateboard Bowls, 2014-present. Recycled skateboards approx 19 x 12 cm. COURTESY OF ADRIANMARTINUS. https://www.studiomagazine.ca/articles/2023/1/samar-hejazi monthly 0.5 2023-04-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/003a464e-456a-459a-b64a-3eb2b3cd4f0d/1_Coiled.jpg Print Article Archive - Samar Hejazi - Make it stand out Samar Hejazi, Coiled, 2019. Cotton thread, cotton fabric and resin, 15.24 x 31.75 x 3 cm. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d9a68730-c9fa-430d-99ba-1aea766eee81/2_IntricaciesOfWholeness.jpg Print Article Archive - Samar Hejazi - Make it stand out Samar Hejazi, The Intricacies of Wholeness, 2019. Cotton thread, 210 x 86.5 cm. Courtesy of the plumb gallery. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/41542cd3-8759-471a-9c29-67718d184d95/3_Cyprus.jpg Print Article Archive - Samar Hejazi - Make it stand out Samar Hejazi, Cyprus, 2021. Cotton thread and fabric, 43 x 14 x 10 cm. Photo: Jessica Thalmann. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fc7e6c4a-d19b-463b-ba0e-f92096f7f5e2/4_+LittleBlue2.jpg Print Article Archive - Samar Hejazi - Make it stand out Samar Hejazi, Little Blue Two, 2020. Cotton thread, cotton fabric, natural pigments, wool and resin. 20 x 15 x 4 cm. Courtesy of the artist. https://www.studiomagazine.ca/articles/2022/2/corrine-hunt monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/61210b27-25da-433d-824e-e89b8a3e8cb4/3.+Eagle+mask.jpg Print Article Archive - Corrine Hunt - Make it stand out Corrine Hunt, Eagle Mask, 2018. Red cedar wood, abalone shell, aluminum and acrylic paint, 40.64 x 40.64 x 38.1 cm. COURTESY OF COASTAL PEOPLES FINE ARTS GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/592d0f07-00d9-4e48-80a2-4240bc1c6911/5.+Laman+lax+Yalis+%28We+are+going+to+Alert+Bay%29+sculpture.jpg Print Article Archive - Corrine Hunt - Make it stand out Corrine Hunt, Laman lax Yalis (We are going to Alert Bay), 2021. Reclaimed red cedar wood, reclaimed yellow cedar wood, acrylic paint, sterling silver and mother of pearl 45.72 x 25.4 x 26.67 cm. COURTESY OF COASTAL PEOPLES FINE ARTS GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0f8aa4b5-770f-4281-a911-a7e0ecef7346/4.+Stars+Above+pendant.jpg Print Article Archive - Corrine Hunt - Make it stand out Corrine Hunt, Stars Above Pendant, 2019. 18K yellow gold, 3.81 x 2.54 cm. COURTESY OF COASTAL PEOPLES FINE ARTS GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0398b9d6-adff-4d7d-b057-890fa67dd3ce/1.Eagle_Panel_Aluminum+Bone+graphite_CorrineHunt_600px_1.jpg Print Article Archive - Corrine Hunt - Make it stand out Corrine Hunt, Where Air Meets Water panel (cast forton), 2017. Bone ash, graphite and aluminum composite, 89.54 x 89.54 x 2.54cm. COURTESY OF COASTAL PEOPLES FINE ARTS GALLERY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/239cfec6-60fc-4822-a4ad-6a093a528b18/9.+Hummingbird+Spirit+bench+_+coffee+table.jpg Print Article Archive - Corrine Hunt - Make it stand out Corrine Hunt, Hummingbird Spirit Bench | Coffee Table, 2022. Fir wood, acrylic paint and stainless steel, 47 x 51.4 x 183 cm. COURTESY OF COASTAL PEOPLES FINE ARTS GALLERY. https://www.studiomagazine.ca/articles/2022/2/hanna-yokozawa-farquharson monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a8bd74cb-db74-46fe-9d89-a0ebec9c8869/1.+Indigo+Waves+1a.jpg Print Article Archive - Hanna Yokozawa-Farquharson - Make it stand out Hanna Yokozawa-Farquharson, Indigo Waves, 2020. Hand dyed cotton, hand dyed Japanese antique kimono silk, cotton cord, cotton threads, 61cm x 61 cm x 6cm. Photo: Hanna Yokozawa Farquharson. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/07f8a714-3a25-4533-9e54-c2261359442b/4.+Tree+Rings+a.jpg Print Article Archive - Hanna Yokozawa-Farquharson - Make it stand out Hanna Yokozawa-Farquharson, Tree Rings, 2020. Cotton and cotton threads, 38 cm x 43 cm. Photo: Hanna Yokozawa Farquharson. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ef03171e-a2b0-4b8a-80c9-46cd21d732b8/2.+Seashells+%26+Fossils+3a.jpg Print Article Archive - Hanna Yokozawa-Farquharson - Make it stand out Hanna Yokozawa-Farquharson, Seashells & Fossils, 2020. Cotton, pins, polyester batting, 8-20 cm. Photo: Donald Stein. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fed40306-16f2-4250-808f-c6d0b90ef510/2.+Seashells+%26+Fossils+1a.jpg Print Article Archive - Hanna Yokozawa-Farquharson - Make it stand out Hanna Yokozawa-Farquharson, Seashells & Fossils, 2020. Cotton, pins, polyester batting, 8-20 cm. Photo: Donald Stein. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/ff3a5da1-a92c-4832-9ec0-dfe663ed88b8/3.+Moss+I%2CII%2CIII+a.jpg Print Article Archive - Hanna Yokozawa-Farquharson - Make it stand out Hanna Yokozawa-Farquharson, Moss I, II, III , 2020. Polyester felt, wool batting, cotton thread, 35.5 cm diameter. Photo: Hanna Yokozawa Farquharson. https://www.studiomagazine.ca/articles/2022/2/lucus-macdonald monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/562ea37c-3773-4240-a08e-859cde3c2ae3/LC_Wave.png Print Article Archive - Lucus Macdonald - Make it stand out Lucus Macdonald, Untitled work in progress, 2022. Walnut wood, 23 cm https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7789292d-ccbf-497e-aadb-76f863879b40/LC_Hadian_Small.png Print Article Archive - Lucus Macdonald - Make it stand out Lucus Macdonald, Hadean small, 2021. Black stain, basswood, 14.5 cm https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b437bdfb-a509-4593-a2ea-28e7e88464d2/LC_Hadean_W.png Print Article Archive - Lucus Macdonald - Make it stand out Lucus Macdonald, Hadean White, 2021. Basswood.19.8 cm x 13.7 cm https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fb9204ba-1653-42c9-b371-cac341db9edd/LC_Extract.png Print Article Archive - Lucus Macdonald - Make it stand out Lucus Macdonald, Extract, 2021. Black stain, Basswood. 13.2 cm x 9.9 cm https://www.studiomagazine.ca/articles/2022/2/a-determined-pleasure monthly 0.5 2024-01-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/bfb21055-6fed-4ef4-a44d-fd530c4c13b1/2.+Detail_of_Meissen_Porcelain_Urn_Summer_c1880.jpeg Print Article Archive - A Determined Pleasure Summer Meissen Porcelain Urn (detail), c. 1880. Porcelain and glaze, 128 x 50 x 50 cm. COURTESY OF WIKIPEDIA CREATIVE COMMONS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/4067fef7-c6f1-42f4-a11b-a38bdc7d38c8/1.+Meissen_Porcelain_Manufactory_-_Teapot_-_Walters_482781_-_Side_A_%28cropped%29.jpeg Print Article Archive - A Determined Pleasure Meissen Porcelain Teapot, 1724-1725. Porcelain and glaze, 10.8 × 15 × 10.5 cm. COURTESY OF THE WALTERS ART MUSEUM. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/55ed02a7-276e-4522-872e-f900d2eab7c1/6.+Cabinet.jpg Print Article Archive - A Determined Pleasure - Make it stand out (French) Cabinet, 1580. Walnut, oak, paint, iron, linen, and silk, 307.7 × 153.4 × 57.2 cm. COURTESY OF THE J. PAUL GETTY MUSEUM, LOS ANGELES, 71.DA.89. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b1c342c3-2bb9-4692-8302-84dc0d7d3210/3.+RitrattoMuseoFerranteImperato.jpeg Print Article Archive - A Determined Pleasure - Make it stand out Ferrante Imperato, Dell'Historia Naturale, 1599, printed 1672. Engraving. COURTESY OF ERLANGEN-NUREMBERG UNIVERSITY LIBRARY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c47a6e38-c419-4ec8-9d5f-fc611007687d/4.+NPM-Inverted+Jenny.jpg Print Article Archive - A Determined Pleasure Inverted Jenny, 1918. Paper and ink (carmine rose and blue), 2.22 x 2.54 cm. COURTESY OF THE SMITHSONIAN NATIONAL POSTAL MUSEUM. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/29fa6fb1-41a0-4aed-b11a-3e0f94bf0836/5.+DuveenStorage.jpeg Print Article Archive - A Determined Pleasure - Make it stand out Storage room at Duveen Brothers gallery, New York, n.d. COURTESY OF THE GETTY RESEARCH INSTITUTE, 2007.D.1. https://www.studiomagazine.ca/articles/2022/interview-anthea-black monthly 0.5 2023-04-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/6a42cd26-2f48-4361-93f7-2199873e4ae7/12.+NPHM.jpg Print Article Archive - Expanding definitions - Make it stand out Anthea Black and Nicole Burisch, “The New Politics of the Handmade: Craft, Art and Design.”, 2020. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/47a6b826-e2ff-4a78-ad86-c9094ba3a6c4/AntheaBlack.png Print Article Archive - Expanding definitions - Make it stand out Anthea Black, Keep Queering the Syllabus, 2019, 16-page zine with hand stitched binding, letterpress on Mohawk Via with digital contents, commissioned by Stephanie Springgay for The Pedagogical Impulse Instant Class Kit, 19 x 11.4 cm. Photographer: Anthea Black, COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5f7c63b2-1c0b-4922-a1f5-d604c1b3cff8/11.+Bingo+Chief_Sylvain+Rivard-Studio+Mag_2022-.jpg Print Article Archive - Expanding definitions - Make it stand out Sylvain Rivard alias Vainvard and Tahatie Montour, BINGO CHIEF (Wendat-style Headdress for Guy Sioui Durand performance), 2019. Used bingo cards, ribbon, glass beads and cardboard, 21 x 38 cm. Photo credit: Louis Daniel Vallée. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/69517c81-f567-44ff-b4c8-de377149f070/16.+DH_HMA.jpeg Print Article Archive - Expanding definitions - Make it stand out Deb Haaland wearing a Jamie Okuma skirt and boots: Peep, 2021. Antique glass beads, brain-tanned deer hide, and vintage basket beads on Casadei boots. 52 x 21.5 x 12 cm (each). Photo: Camila Falquez/Thompson. Courtesy of the Hood Museum of Art. https://www.studiomagazine.ca/articles/2022/2/provocations-craft-beyond-the-binary monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/849fe1f3-cc89-42ee-8929-7c3fb8ba21da/07+-+Mend+9+2016+%281%29.jpg Print Article Archive - Craft Beyond the Binary Mark Newport, Mend 6, 2016. Embroidery and mending in muslin, 43 x 33 cm. Photographer: Tim Thayer. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8a5eadd4-e4d6-4214-b86a-5bd0da857eab/CCCD02_2021_02.jpg Print Article Archive - Craft Beyond the Binary - Make it stand out Curated by matt lambert and Lauren Kalman. Desire Paths, 2021. Photo: Black Box Photography, COURTESY OF THE CENTER FOR CRAFT. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/96ebbdff-3208-46a3-9dea-c7f799196f79/CCCD02_2021_05.jpg Print Article Archive - Craft Beyond the Binary - Make it stand out Curated by matt lambert and Lauren Kalman. Desire Paths, 2021. Photo: Black Box Photography, COURTESY OF THE CENTER FOR CRAFT. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/7533fadf-8744-47fe-9485-b98757f52b83/09+-+Ravel_2.jpg Print Article Archive - Craft Beyond the Binary - Make it stand out Indira Allegra, BODYWARP: Ravel, 2020. Archival pigment prints, 10 x 15 cm. Photographer: Kimi Mojica. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/a5740c9f-c46e-47fc-8908-834da3bbf360/CCCD02_2021_13.jpg Print Article Archive - Craft Beyond the Binary - Make it stand out Piki Toi Collective, Tahi, Toru, and Wha, 2019. New Zealand Kauri, redwood, paua shell and waxed cotton. 4.4 x 15.8 x 0.86 cm. Photographer: Lauren Kalman. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/eaf19818-c331-4ac3-8d16-ea2723ad8878/14+-+EveryMomentCounts_HOA.png Print Article Archive - Craft Beyond the Binary - Make it stand out Michael Elmgreen and Ingar Dragset, AIDS Is Good, Business for Some, 2011, and Side Effect No. 16 (Truvada, Tivicay), Side Effect, No. 10 (Stribild), and Side Effect, No. 2 (Truvada, Isentress), 2015. Photo: Henie Onstad Kunstsenter/ Øystein Thorvaldsen. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5cafb74e-e90b-4bb5-8401-4e914cb3f3fc/Screen+Shot+2022-10-21+at+3.35.54+PM.png Print Article Archive - Craft Beyond the Binary - Make it stand out Curated by matt lambert and Lauren Kalman. Desire Paths, 2021. Photo: Lauren Roquemore, COURTESY OF THE CENTER FOR CRAFT. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/472d5869-d1f0-4abe-a789-2e57fc58f192/CH_MirrorShield.png Print Article Archive - Craft Beyond the Binary - Make it stand out Cannupa Hanska Luger and Rory Wakemup, Mirror Shield Project: River (The Water Serpent) on-site performance organized in collaboration at Oceti Sakowin camp, Standing Rock, ND, December 2016, Drone video image still. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/dcb368e2-240b-4c51-b2d9-d3ffff8219b5/CCCD02_2021_10.jpg Print Article Archive - Craft Beyond the Binary - Make it stand out Gabriel A. Maher, Technologies for Seductive Criticism, 2016. Jayson Haebich (Programming | Software Development), Michele Vescio (Sound Artist | Sound Design), Dazed Media (Collaboration), Funded in part by Creative Industries Fund NL. Video, projection, interactive web GL. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/edd767aa-6544-4aae-ba8a-094ecf96ce9e/BenGould.png Print Article Archive - Craft Beyond the Binary - Make it stand out Ben Gould, Ardor, 2021. Live, virtual performance: forged steel, ice, electrodes, modified electric nerve simulator. Clothing by Gabriella Lacza, Photographer: Chris White. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/eb0e3212-3e24-499d-91f4-c2b66a496643/CCCD02_2021_03.jpg Print Article Archive - Craft Beyond the Binary - Make it stand out Curated by matt lambert and Lauren Kalman. Desire Paths, 2021. Photo: Black Box Photography, COURTESY OF THE CENTER FOR CRAFT. https://www.studiomagazine.ca/articles/2022/inquiries-cecile-branco monthly 0.5 2023-04-10 https://www.studiomagazine.ca/articles/2022/2/focal-point-pj-anderson monthly 0.5 2023-04-11 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/4ea88881-5d1c-4a38-acb5-a9e0ef6ccbc2/4.+Liberte_Anderson_2020-3.jpg Print Article Archive - PJ Anderson PJ Anderson, Liberte, 2020. Smoke fired ceramic and metal, 160 x 63 x 63 cm. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0c83984c-592b-4031-a1c3-f5dedff7855c/9.+pj-red+series.jpeg Print Article Archive - PJ Anderson - Make it stand out PJ Anderson, Red Series, 2016. Earthenware, terra sigillata, woven paper, hemp cord. 42cm x 30cm x 30 cm. Photo: Crystal Nykoluk. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/634209e5-baf9-454e-b4b5-7b26666f5a5c/6.+pj+learning-2009-Fowler+credit.jpg Print Article Archive - PJ Anderson PJ Anderson learning at the University of KwaZulu Natal, 2009. Photo: Dr. Kent Fowler. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2022/1/tyler-rock monthly 0.5 2022-05-20 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652800918427-KKI846MDVTPKJOT20VH2/CAB_007+%281%29.jpeg Print Article Archive - Tyler Rock Tyler Rock and Julia Reimer, Transect (detail), 2017. Stainless steel, Laminated Glass, Cast Glass, window portal 30 cm diameter. Photo: Charles Boulet. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652800922226-WD73T6E4POLJQY5AGQ33/CAB_7320-2+%281%29.jpg Print Article Archive - Tyler Rock Tyler Rock and Julia Reimer, Transect, 2017. Stainless steel, Laminated Glass, Cast Glass, 228 x 198 x 198 cm. Photo: Charles Boulet. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652800923834-Y5OZJXVHDUZC8EZVXUIS/Exterior+%281%29.jpg Print Article Archive - Tyler Rock Tyler Rock and Julia Reimer, Winter’s breath, 2018. Exterior view 259 x 244 x 457 in. Photo: Julia Reimer Rock. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652800926421-E510AU85EDZ9FGK07IZG/wintersbreath2+%281%29.jpg Print Article Archive - Tyler Rock Tyler Rock and Julia Reimer, Winter’s breath, 2018. Interior detail of mirrored sphere. https://www.studiomagazine.ca/articles/2022/1/ekow-nimako monthly 0.5 2022-05-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652747952485-OPEGTDTM00BPM71HYOIJ/1_HR+Anansi.jpg Print Article Archive - Ekow Nimako Anansi, 2021. LEGO, metal armature, 137 x 88 x 30 cm. Photographer credit: Sam Engelking https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652747960460-ZBSIQ10OCUE5U71MDL8Z/4_HR+Flower+Girl.jpg Print Article Archive - Ekow Nimako Flower Girl, 2019. LEGO, metal armature, 129 x 48 x 37 cm. Photographer credit: Sam Engelking https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652747979159-I1A0ODW76IMTGHQE6RAZ/3_HR+Kumbi+Saleh+3020+CE.jpg Print Article Archive - Ekow Nimako Kumbi Saleh 3020 CE, 2019. LEGO, oak plank. 50 x 182 x 152 cm. Photographer credit: Sam Engelking https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652747983829-SAQ7D7S07K8F3R0689PV/2_HR+Esun.jpg Print Article Archive - Ekow Nimako Esun, 2020. LEGO, metal armature. 45 x 22 x 15 cm. Photographer credit: Sam Engelking https://www.studiomagazine.ca/articles/2022/1/cal-lane monthly 0.5 2022-05-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652739395040-UTKBYXFH1K4V7BR9NJ1V/6-DoilyDumbbells.jpg Print Article Archive - Cal Lane Doily Dumbbells (detail), 2020. Plasma cut steel, 36.8 x 121.9 x 36.8 cm. Photo: Regina Urazaeva. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652739405427-OLDZ5KEV7X5ALV4YWA7M/WIPCalLane.jpeg Print Article Archive - Cal Lane Cal Lane fabricating Astute Class, 2022. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652739418912-QSPLSEBP0DVPPWGBJAJL/2-PantieChain.png Print Article Archive - Cal Lane Pantie Chain, 2018. Plasma cut steel, 22.9 x 165.1 x 20.3 cm. Photo: Regina Urazaeva. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1652739438472-BDP52O5OMV48KO58DPGS/1-AstuteClass.jpg Print Article Archive - Cal Lane Astute Class, 2022. Plasma cut steel, 68.6 x 350.5 x 96.5 cm. Photo: Regina Urazaeva. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2022/inquiries-bill-kime monthly 0.5 2022-05-17 https://www.studiomagazine.ca/articles/2022/interview-glenn-adamson monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/0db89fa0-d95c-4237-92af-6268bd024675/Glenn+Adamson+%28credit+John+Michael+Kohler+Arts+Center%29+5MB.jpg Print Article Archive - A Captured Experience: On craft, time and technology - Make it stand out Glenn Adamson, COURTESY OF JOHN MICHAEL KOHLER ARTS CENTRE. https://www.studiomagazine.ca/articles/2022/1/poiesis-alyssa-alikpala monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/fc19ba45-9341-4863-84be-f86b323c677d/DJI_0387.jpg Print Article Archive - Poiesis: Environmental collaborations in the pursuit of beauty Alyssa Alikpala, dis/connect, 2021, 573 found bricks collected, carried, and laid by hand in 50’ ø circle. Toronto, CA PHOTO: JAMES ARTHURS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/af2bc45e-d269-4683-8b2e-fab8d5cd9d1c/DJI_0367.jpg Print Article Archive - Poiesis: Environmental collaborations in the pursuit of beauty - Make it stand out Alyssa Alikpala, dis/connect, 2021, 573 found bricks collected, carried, and laid by hand in 50’ ø circle. Toronto, CA PHOTO: JAMES ARTHURS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/83405f94-bf1f-45cf-a1c6-f5361521590d/Alikpala.png Print Article Archive - Poiesis: Environmental collaborations in the pursuit of beauty - Make it stand out Alyssa Alikpala, Untitled, or solitude and loneliness are two sides of the same coin, 2021. Line of braided grass interwoven into the hillside. London, UK. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/e05a0ed0-295f-4453-8bad-d48388cc0f16/Photo+2021-10-13%2C+12+33+00+PM.jpg Print Article Archive - Poiesis: Environmental collaborations in the pursuit of beauty - Make it stand out Alyssa Alikpala, Untitled, 2021. Wheatpasted leaves on concrete. London, UK. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/69307a05-776d-4cb8-9993-571ce4d7770d/Photo+2021-08-03%2C+1+28+21+PM.jpg Print Article Archive - Poiesis: Environmental collaborations in the pursuit of beauty - Make it stand out Alyssa Alikpala, Untitled (2021). Flowers and wheatpasted petals on brick and vine. Toronto, CA https://www.studiomagazine.ca/articles/2022/1/focal-point-pauline-loctin monthly 0.5 2025-02-19 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/66968b71-cde0-4514-b483-ec775feabb40/PaulineLoctinProfile.jpg Print Article Archive - Pauline Loctin Pauline Loctin in her studio https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/07db50a8-078c-4ff5-a044-1439847848d1/Copie+de+PAULINE-LOCTIN_EATON_CENTER_BrunoDestombes_DSC09488.jpg Print Article Archive - Pauline Loctin - Make it stand out Pauline Loctin, Coral, 2021. Paper, Plexiglass, 762 x 670 x 670 cm. PHOTO: BRUNO DESTOMBES, COURTESY OF PAULINE LOCTIN. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/90498e97-ceed-4415-9e40-540c872ce661/1J1A0190.jpg Print Article Archive - Pauline Loctin Pauline Loctin, Pli.é Project, 2018. Paper, 91 x 91 x 30 cm. (folded) PHOTO: MELIKA DEZ, COURTESY OF PAULINE LOCTIN. https://www.studiomagazine.ca/articles/2021/5/material-memories monthly 0.5 2022-02-03 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d8eb46ac-ed4d-4c6d-bc91-9d3895393565/1.+_HAF6199.jpg Print Article Archive - Material Memories Kapwani Kiwanga, Flowers for Africa, ongoing. Installation view, MOCA Toronto. Protocol of assembly and display including archival iconography to guide the reconstruction of a floral arrangement consisting of cut flowers. Photographer: Toni Hafkenscheid. COURTESY OF THE ARTIST AND GALERIE POGGI, PARIS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/d8c326a8-2ff9-4925-9f31-2988d87b734c/4.+Shady.jpg Print Article Archive - Material Memories Kapwani Kiwanga with Shady, 2018. Shade cloth and steel, 410 x 400 x 810 cm. Photographer: Mark Blower. Courtesy of Mark Blower/Frieze. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/c128226c-c8a9-48ea-ba57-4c1594ca464c/KK_N.png Print Article Archive - Material Memories - Make it stand out Kapwani Kiwanga, Nations: Cap Français, 2020. Mixed textiles. Photographer: Maison Louis Carré. COURTESY OF GALERIE POGGI, PARIS via Instagram. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8bf4c043-bdb6-4cec-b49e-194f17fb6a05/TL_SS.png Print Article Archive - Material Memories - Make it stand out Tau Lewis, Sparkle & Sparkle’s Map Home, 2018. Mixed media sculpture. Courtesy of @taulewis via Instagram. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/5aec6ac9-9e6b-4eb6-9012-6fe75539164c/TL_WLYFMH.png Print Article Archive - Material Memories - Make it stand out Tau Lewis, When last you found me here, 2019. Mixed media sculpture. Courtesy of @taulewis via Instagram. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/45ec72cc-d49f-4ee2-9968-1b893a846987/TL_US.png Print Article Archive - Material Memories - Make it stand out Tau Lewis, Triumphant Alliance of the Ubiquitous Blossoms of Incarnate Souls, 2020. Mixed media sculpture. Courtesy of @taulewis via Instagram. https://www.studiomagazine.ca/articles/2021/5/invisible-minorities monthly 0.5 2022-05-16 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/b49869dc-a8c3-43f3-9ef1-fba8a3b96b9d/WDWGFH_Install_0040+%281%29.jpg Print Article Archive - (In)Visible Minorities Tafui, Patois, 2020, in Where do we go from here?, exhibition at the Vancouver Art Gallery, December 12, 2020 to June 13, 2021, Photo: Ian Lefebvre, COURTESY OF VANCOUVER ART GALLERY. https://www.studiomagazine.ca/articles/2021/5/jesse-tungilik monthly 0.5 2021-11-19 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8ff8939d-85cc-4b61-8c5c-dd60e3b9776c/4.+DSC02363.JPG Print Article Archive - Jesse Tungilik Jesse Tungilik, Jason Sikoak, and Glenn Gear, Feeding My Family (2019), Labrador Tent (2019), Dog (2019). Papier mâché, wood, canvas and video projection, various dimensions. Photographer: Ossie Michelin, COURTESY OF CONCORDIA UNIVERSITY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8937d30a-ca10-491c-bcb5-97cc3c700a51/1.+DSC01870.JPG Print Article Archive - Jesse Tungilik Jason Sikoak and Jesse Tungilik working on Feeding My Family, 2019. Metal wire, and Papier mâché, 198 x 137 x 168 cm. Photographer: Ossie Michelin, COURTESY OF CONCORDIA UNIVERSITY. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/6700caee-b16e-44fb-837a-547283ee932c/10.+jesse_tungilik_6+-+jessica+kotierk.jpg Print Article Archive - Jesse Tungilik Jesse Tungilik, Seal Skin Spacesuit, 2019. Seal skin, acrylic and beadwork, 183 x 60 x 50 cm. Photographer: Jessica Kotierk, COURTESY OF CONCORDIA UNIVERSITY. https://www.studiomagazine.ca/articles/2021/5/inquiries-isabelle-fish monthly 0.5 2022-05-16 https://www.studiomagazine.ca/articles/2021/5/simone-saunders monthly 0.5 2022-05-16 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637272524767-B2272INOSGHV1GO9Q39C/Lady+Justice%2C+2021%2C+hand-tufted+velvet+and+acrylic+yarn+on+rug+warp%2C+165.1+x+142.25+x+1.5+cm.+Courtesy+of+the+artist.+%281%29.jpg Print Article Archive - Simone Saunders Lady Justice, 2021, Hand-tufted velvet and acrylic yarn on rug warp, 165.1 x 142.25 x 1.5 cm. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637272584435-BYJC9DPMY9OZBMFP25O6/She+Grows%2C+2020%2C+hand-tufted+velvet+and+acrylic+yarn+on+rug+warp%2C+160.02+x+134.62+x+1.5+cm.+Courtesy+of+the+artist.+%281%29.jpg Print Article Archive - Simone Saunders She Grows, 2020, Hand-tufted velvet and acrylic yarn on rug warp, 160.02 x 134.62 x 1.5 cm. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637272653226-E6MZ2KTUYB167BMZ51HH/She+Prevails%2C+2020%2C+hand-tufted+velvet+and+acrylic+yarn+on+rug+warp%2C+157.48+x+152.4+x+1.5+cm.+Courtesy+of+the+artist.+%281%29.jpg Print Article Archive - Simone Saunders She Prevails, 2020, Hand-tufted velvet and acrylic yarn on rug warp, 157.48 x 152.4 x 1.5 cm. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637272738197-5B13CE9O627FDY0E1Q6Y/She+Summons%2C+2020%2C+hand-tufted+velvet+and+acrylic+yarn+on+rug+warp%2C+162.56+x+147.32+x+1.5+cm.+Courtesy+of+the+artist.+%281%29.jpg Print Article Archive - Simone Saunders She Summons, 2020, Hand-tufted velvet and acrylic yarn on rug warp, 162.56 x 147.32 x 1.5 cm. Courtesy of the artist. https://www.studiomagazine.ca/articles/2021/5/house-of-cassady monthly 0.5 2021-11-19 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637271383089-C0CX8B9B2F7FU0ZKC5RW/1+-+action.jpg Print Article Archive - House of Cassady Kilt in Action, 2019. Wool, Cotton, leather and metal buckles. COURTESY OF ROBIN CASSADY-CAIN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637271472200-P5MUUHGEE6QNRE7ZUZDM/4+-+Mac_1.jpg Print Article Archive - House of Cassady MacPherson Military Box Pleated Kilt, 2019. Wool, Cotton, leather and metal buckles. COURTESY OF ROBIN CASSADY-CAIN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637271540753-RKSZPA4Q2BIK4GNY09UP/2+-+Ham_2.jpg Print Article Archive - House of Cassady Hamilton Hunting Reverse Kingussie Pleated Kilt, Hostess length, Traditional length, pleated to strip Kilt, 2020. Wool, Cotton, leather and metal buckles. COURTESY OF ROBIN CASSADY-CAIN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637271686296-MEEX9SPS1D13Q491J6LA/3+-+Process.jpg Print Article Archive - House of Cassady Installing the kilt lining, 2020. Wool, cotton. COURTESY OF ROBIN CASSADY-CAIN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637271768020-VREETWGNGM2PNBCDK2A8/5+-+Mac_2.jpg Print Article Archive - House of Cassady MacPherson Military Box Pleated Kilt, 2019. Wool, Cotton, leather and metal buckles. COURTESY OF ROBIN CASSADY-CAIN https://www.studiomagazine.ca/articles/2021/5/phil-abernethy monthly 0.5 2021-11-19 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637269527277-F795HK5TX2W8FCRHLPHT/Dual+Grasshopper+1+%281%29.jpg Print Article Archive - Phil Abernethy Dual Grasshopper, 2020. Brass, aluminum, tempered glass and LED lighting, 222 x 33 x 22 cm. Photo: Jon Mark Photography. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637269827233-85XC9P11FJ5EIK54IWY4/Dual+Grasshopper+3+%281%29.jpg Print Article Archive - Phil Abernethy Dual Grasshopper (detail), 2020. Brass, aluminum, tempered glass and LED lighting, 222 x 33 x 22 cm. Photo: Jon Mark Photography. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637269922364-V4IM7GTR3I5X7MZQBA3G/Arrow+of+Time+%281%29.jpg Print Article Archive - Phil Abernethy Arrow of Time, 2020. Sapele wood, acrylic and LED lighting, 28 x 8.5 x 61 cm. Photo: Jon Mark Photography. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637270031190-Q72H1EGAA0MZ2SRO9UYX/Isochronal+Blue+%281%29.jpeg Print Article Archive - Phil Abernethy Isochronal Blue, 2016. Grasshopper escapement, automatic winding, brass, aluminum and quartz mechanism, 175 x 55 x 28 cm. Photo: Mark Hopper Photography. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1637270132130-RRWVJUFCU0SV4HXED1VD/Insionn+1+%281%29.jpeg Print Article Archive - Phil Abernethy Insionn, 2020. Copper, brass, aluminum, acrylic, peacock feathers, gravity escapement and LED lighting, 200 x 84 x 28 cm. Photo: Mark Hopper Photography. https://www.studiomagazine.ca/articles/2021/8/craft-is-political-review monthly 0.5 2021-08-27 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1630068291644-YYJCC3F1P9HW279OIFNN/D+Wood_book+cover.jpg Print Article Archive - Craft Is Political Review - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.studiomagazine.ca/articles/2021/1/in-the-absence-of-the-object monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/571fed08-4d0a-4acb-8beb-da23e5175013/IMG_9774+%281%29.JPG Print Article Archive - In the Absence of the Object - Make it stand out Michael Prokopow, 2021. COURTESY OF THE WRITER. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/dc39c1d3-614c-455f-a555-174a4e2945f8/IMG_9778+%281%29.JPG Print Article Archive - In the Absence of the Object - Make it stand out Michael Prokopow, 2021. COURTESY OF THE WRITER. https://www.studiomagazine.ca/articles/2021/4/in-consideration-of-everyday-objects monthly 0.5 2021-05-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619806365919-X72FENEOA2M1CDD171VE/Copy+of+5+-+Standing+Form.jpg Print Article Archive - In consideration of everyday objects Lou Lynn, Standing Form, 2001. Cast glass, 43 x 25 x 10 cm. PHOTO: JANET DWYER, COLLECTION MONTREAL MUSEUM OF FINE ARTS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619807130696-JX246NVHHJGWCKYVU0AI/Copy+of+7+-+TAA_square+format.jpg Print Article Archive - In consideration of everyday objects Lou Lynn, Tools As Artifacts (38 Components), 2008-2010. Glass and bronze, 3 x 34 ft. PHOTO: JANET DWYER COLLECTION OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619806526626-2NFM12AC9MFZCBRK1LFI/Copy+of+4+-+Shovels+-+Triptych.jpg Print Article Archive - In consideration of everyday objects Lou Lynn, Shovels Triptych, 2018. Glass, bronze and steel, 107 x 23 x 48 cm. PHOTO: JANET DWYER COLLECTION OF THE ARTIST https://www.studiomagazine.ca/articles/2021/5/celebrating-the-crafts monthly 0.5 2021-05-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619889639104-VWM3DKAEAM9NCB9HO70S/4+-+20FrogStoriesRight2017150-1200-mini.jpg Print Article Archive - Celebrating The Crafts Dempsey Bob , 20 Frog Stories, 2017 Alder, 32x8x19cm COURTESY OF EQUINOX GALLERY VANCOUVER https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619890026598-EQ6A92XCX0TOLZ4FGRZ5/2+-+Dempsey+Bob+Photo+by+Angelo+Cavagnaro+.jpeg Print Article Archive - Celebrating The Crafts Dempsey Bob, Photo: Angelo Cavagnaro, COURTESY OF EQUINOX GALLERY VANCOUVER https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619890337068-9MBM632PLCYWOLJZGG8J/6+-+02WAG2007MotherEarth.jpg Print Article Archive - Celebrating The Crafts Germaine Arnaktauyok, Mother Earth, 2007. Ink and coloured pencil on paper, 72.7 cm x 53.6 cm. Collection: Winnipeg Art Gallery. COURTESY OF THE CANADA COUNCIL FOR THE ARTS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619890238723-KEFBPFU3FNA9N02K2M9P/5+-+01WAG2006ThroatSinging.jpg Print Article Archive - Celebrating The Crafts Germaine Arnaktauyok, Throat Singing, 2006. Pen and ink on paper, 32.4 cm x 39.4 cm. Collection: Winnipeg Art Gallery, COURTESY OF THE CANADA COUNCIL FOR THE ARTS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619890586341-21061UVOIMSDQOH7NEX6/7+-+AGO.123701.96dpi.jpg Print Article Archive - Celebrating The Crafts Bonnie Devine, Battle for the Woodlands: Anishinaabitude, 2014-2015. Mixed media mural with felt, brass and nickel beads, deer hide, moose hide, gathered twigs and sea grass. COURTESY OF THE ART GALLERY OF ONTARIO https://www.studiomagazine.ca/articles/2021/5/tosca-teran monthly 0.5 2021-11-18 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619893648387-3SXXCW94FGUY8SBHIL07/9+-+Testing-NSW-Australia.jpg Print Article Archive - Tosca Terán Tosca Terán, Testing touch-plates & electrodes, for Angophra costata bio-sonification, various synthesizers October 2019 PHOTO: GRAEME WIENAND https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619893740661-O2W94OAQ76ABW97TKV8D/7+-+Sym_Dys3.png Print Article Archive - Tosca Terán Tosca Terán, Symbiosis/Dysbiosis immersive, mixed reality experience, in VR environment shot. Point cloud data scanned from Canadian coastal rainforests connected to living mycelium which is reacting to Human touch and effecting the point cloud visual. Current project (wip). PHOTOGRAMMETRY COLLECTED/ SCANNED BY ALLISON MOORE https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619895560118-L0EVW50KBL8EA422M34L/2%2B-%2Bmycelium-panel-closeUp.jpg Print Article Archive - Tosca Terán Mycelium Panel (detail), 2019 Ganoderma lucidum mycelium and hemp, 152.4 x 152.4 x 152.4 x 6.35 cm. PHOTO: FRANKLIN LAU https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619895734357-VNSU90FADZH9NE7MXGE1/15%2B-%2BmyceliumDome-1.jpg Print Article Archive - Tosca Terán Mycelium Dome, 2019. June-Sept 2019 Ganoderma lucidum/ Reishi mushroom, hemp, Volca FM, Keys and Meeblip synths, bio-sonification modules, red oak, teak, PLA, emergency blankets. Dome: 8.5’ h x 16’ dia. PHOTO: TOSCA TERÁN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619895863381-O9N72LQGCSC742HL82OV/6%2B-%2BSym_Dys2.jpg Print Article Archive - Tosca Terán Symbiosis/Dysbiosis immersive, mixed reality experience, in VR environment shot. Point cloud data scanned from Canadian coastal rainforests connected to living mycelium which is reacting to Human touch and effecting the point cloud visual. Current project (wip). PHOTOGRAMMETRY COLLECTED/ SCANNED BY: ALLISON MOORE https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619895784161-2CV6ACJQIHJPT48OYZ9U/12%2B-%2Bmycel3.jpg Print Article Archive - Tosca Terán Mycelium (detail), 2020 Pleurotus ostreatus/Oyster Mushroom PHOTO: TOSCA TERÁN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619895813882-7PIZXNER396U2GB235NG/13%2B-%2BMycoLeather.jpg Print Article Archive - Tosca Terán Mushroom-Leather, 2019 Ontario Fomes fomentarius/ Tinder fungus/Amadou PHOTO: TOSCA TERÁN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619896020482-11WUQZBRAWRKLPLH5ZHP/5+-+Sym_Dys1.png Print Article Archive - Tosca Terán Tosca Terán, Symbiosis/Dysbiosis, 2020 immersive, mixed reality experience, in VR test-subject/environment promo shot. DMG/TSV residency PHOTO/VIDEO CAPTURE: TOSCA TERÁN https://www.studiomagazine.ca/articles/2021/5/a-robotic-embrace monthly 0.5 2021-05-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619899246895-UUNAGA7TRECHH1JCDG4D/HaptekLab_07+%281%29.jpg Print Article Archive - A Robotic Embrace Haptek Lab Illustration of Feedback Loop, 2021. Vector drawing, photograph of terracotta, 30 x 90 x 5 cm. COURTESY OF LINDA ZHANG ILLUSTRATED BY GEORGIA BARRINGTON https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619899551239-LZKFE3HM48QKUNICMWIP/HaptekLab_13.JPG Print Article Archive - A Robotic Embrace Haptek Lab Beyond the Surface. Terracotta, underglaze, glaze, 30 x 90 x 5 cm. COURTESY OF LINDA ZHANG https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619899825297-CRQ0AJNWL2ACF11R2B1U/HaptekLab_02.JPG Print Article Archive - A Robotic Embrace LEFT Haptek Lab Photograph of robotic tooling process and QR code to the virtual exhibition of Beyond the Surface at hapteklab.com, 2021. Terracotta, underglaze, 3D printed end of arm tool, 30 x 30 x 5 cm. COURTESY OF JONATHON ANDERSON RIGHT Haptek Lab Photograph of Haptek Lab member Georgia Barrington in the making process for Beyond the Surface, 2020. Terracotta, 3D printed end of arm tooling, 30 x 90 x 5 cm. COURTESY OF JONATHON ANDERSON https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619900014712-AWG1M65RK12NTGF3JCB9/HaptekLab_05+%281%29.jpg Print Article Archive - A Robotic Embrace Haptek Lab, llustration of digital and processes, 2021. Vector drawing, photograph of terracotta, 30 x 90 x 5 cm. COURTESY OF LINDA ZHANG ILLUSTRATED BY GEORGIA BARRINGTON https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619900236232-6XWEWY005OK8BZO77JX1/HaptekLab_08.jpg Print Article Archive - A Robotic Embrace Haptek Lab Beyond the Surface series 036 to 052, 2020. Terracotta, underglaze, glaze, 30 x 90 x 5 cm. COURTESY OF LINDA ZHANG ILLUSTRATED BY GEORGIA BARRINGTON https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619900289511-0L5Q7H964SV5RG6287VX/HaptekLab_03+%281%29.jpg Print Article Archive - A Robotic Embrace Haptek Lab Beyond the Surface series 001 to 024, 2020. Unfired terracotta, 30 x 90 x 5 cm. COURTESY OF LINDA ZHANG ILLUSTRATED BY GEORGIA BARRINGTON https://www.studiomagazine.ca/articles/2021/5/playing-with-fuzzy-tech-styles monthly 0.5 2021-05-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619903124854-94V90119ZPFHMFS73J2W/punch-sketching+01.jpg Print Article Archive - Playing With Fuzzy Tech Styles Lee Jones Punch Sketching E-textiles, 2021. Wood, wool and conductive yarn. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619903202553-67PJT6B7Z4SQSGAFJLSA/wearable-ideation-01.jpg Print Article Archive - Playing With Fuzzy Tech Styles Lee Jones Wearable Crazy Eights Sketch, 2021 COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619903324996-B73GUG0F2XSO237FYNX7/swatch-bits-01.jpg Print Article Archive - Playing With Fuzzy Tech Styles Lee Jones Swatch Bits Laid Out, 2020. Tessellated laser-cut file, metal snaps, conductive yarn, felt. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619903391299-CD08YHT57VHC7NLTUH75/e-darning-02.jpg Print Article Archive - Playing With Fuzzy Tech Styles Lee Jones E-Darning Sampler, 2021. Darning loom, weft pick and darning mushroom. COURTESY OF THE ARTIST https://www.studiomagazine.ca/articles/2021/5/inquiries-michelle-jacques monthly 0.5 2021-11-18 https://www.studiomagazine.ca/articles/2021/5/pavitra-wickramasinghe monthly 0.5 2021-11-18 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619904319325-R2G5UHDJLYG1WOSUD1JR/_MG_6215_Photo+G.L%27Heureux.jpg Print Article Archive - Pavitra Wickramasinghe Take hold lightly, let go lightly, 2013 Moving image installation (detail), laser-cut paper, plastic, metal, electronics, light and shadow, 5 cm x 28 cm x 9 cm PHOTO: GUY L’HEUREUX, COURTESY OF TIME MACHINE, GALERIE FOFA, MONTRÉAL https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619904320307-5HD2KRLPY6ZS24AMO29J/_MG_6182_Photo+G.L%27Heureux.jpg Print Article Archive - Pavitra Wickramasinghe Take hold lightly, let go lightly, 2013 Moving image installation (detail), laser-cut paper, plastic, metal, electronics, light and shadow, 5 cm x 28 cm x 9 cm PHOTO: GUY L’HEUREUX, COURTESY OF TIME MACHINE, GALERIE FOFA, MONTRÉAL https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619904225228-YB8YO49T2UGDD0HX8NTQ/072-Pavitra-Wickramasinghe-photo-Mike-Patten.jpg Print Article Archive - Pavitra Wickramasinghe Coral bones/La mer, 2018 Drawing installation, laser-cut paper, Variable size. PHOTO: MIKE PATTEN, COURTESY OF ISEA2020 WHY SENTIENCE?, MAISON DE LA CULTURE JANINE-SUTTO https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619904225501-SPUX4VTCGB9GE0AKPWJ5/074-Pavitra-Wickramasinghe-photo-Mike-Patten.jpg Print Article Archive - Pavitra Wickramasinghe Coral bones/La mer (detail), 2018 Drawing installation, laser-cut paper, Variable size. PHOTO: MIKE PATTEN, COURTESY OF ISEA2020 WHY SENTIENCE?, MAISON DE LA CULTURE JANINE-SUTTO https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619904319469-0E4ZTMNRPXH17G7RAYYO/_MG_6329_Photo+G.L%27Heureux.jpg Print Article Archive - Pavitra Wickramasinghe Line Poem- Alchemy of Light, 2012-13. laser-cut paper-pads, 20 cm x 25 cm x 5 cm. PHOTO: Guy L'Heureux, COURTESY OF TIME MACHINE, GALERIE FOFA, MONTRÉAL https://www.studiomagazine.ca/articles/2021/5/sugacayne-designs monthly 0.5 2021-05-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619910621429-TD3ZTRHCC9I42MA1NGQK/2+-+Molten+back.jpg Print Article Archive - SugaCayne Designs Molten Rock (back), 2019. 3D printer resin, laser cut acrylic and feathers. COURTESY OF SUGACAYNE DESIGNS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619910621799-G0PSQ8HF3SASH6EPTGLO/3+-+Mercury+laid.jpg Print Article Archive - SugaCayne Designs Mercury, 2019. Cut mirrored acrylic, sequins and beads. COURTESY OF SUGACAYNE DESIGNS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619910618505-JQOPUS3949QZTX1KYGIZ/1+-+Bloodline.jpg Print Article Archive - SugaCayne Designs Bloodline, 2020. 3D printer resin, laser cut leather, feathers, beads and wire. COURTESY OF SUGACAYNE DESIGNS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619910624637-DN7CBFCTGER4X49SADX3/4+-+Bloodline+2.jpg Print Article Archive - SugaCayne Designs Bloodline (detail), 2020. 3D printer resin, laser cut leather, feathers, beads and wire. COURTESY OF SUGACAYNE DESIGNS. https://www.studiomagazine.ca/articles/2021/5/wally-dion monthly 0.5 2021-05-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619912307619-6NXNAT0MRDJEOIB2OO36/3.%2BGreenQuilt%2B2607.jpg Print Article Archive - Wally Dion Green Star Quilt, 2019, Circuit boards, brass wire, and copper tube, 193 x 179 cm. COURTESY OF KT KANAZAWICH https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619911910050-IMOV2SFOE7KSM5EP18ZK/1.+DION+CaterpillarEggCocoonMoth.jpg Print Article Archive - Wally Dion Caterpillar, Egg, Cocoon, Moth, 2019. Circuit boards on plywood, and nails, 87 cm diameter. COURTESY OF KT KANAZAWICH https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619912235377-1DXU6OKD4WGVVP8G6ZUU/2.%2BCaterpillarEggCocoonMothDetailRightSide.jpg Print Article Archive - Wally Dion Caterpillar, Egg, Cocoon, Moth (detail), 2019. Circuit boards on plywood, and nails, 87 cm diameter. COURTESY OF KT KANAZAWICH https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619912151107-QMF21P5RK1QBN59OCFJF/4.%2Bwld_20080813_16.jpg Print Article Archive - Wally Dion Shield Wall, 2008, Computer circuit boards, plexiglass, copper wire, enamel paint and recycled materials, 155 x 193 x 86 cm COURTESY OF DON HALL https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1619912210110-WTTQH4HQ0EN0FGXTZHFR/5.%2Bwld_20080813_18.jpg Print Article Archive - Wally Dion Shield Wall (detail), 2008, Computer circuit boards, plexiglass, copper wire, enamel paint and recycled materials, 155 x 193 x 86 cm COURTESY OF DON HALL https://www.studiomagazine.ca/articles/2021/04/toni-losey monthly 0.5 2021-05-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1617902006229-I821LW7LY0RJP5U83685/Toni+Main+Portrait+-+1.jpg Print Article Archive - Toni Losey Toni Portrait with Once Was Red and Egg Series: Yellow Lichen and Burnt Orange, 2020. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1617987301588-BTRBQX92H7U4D0I4EF11/09LoseyT.jpg Print Article Archive - Toni Losey Toni Losey, Fade from Black, 2019. Earthenware, 117 x 84 x 84 cm. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1617987153406-PAX8ICS8O2NLGJ3M6Y3L/Punk+Virus.jpg Print Article Archive - Toni Losey Toni Losey, Punk Virus (detail), 2020. Earthenware, 46 x 46 x 57 cm. COURTESY OF THE ARTIST https://www.studiomagazine.ca/articles/2020/2/whats-in-a-name monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/8fdaf0ad-d983-4acd-87e7-554399105447/pmmap.png Print Article Archive - What’s in a name? Indigenous Knowledge and Ways of Making Sense of the World - Make it stand out Skicinuwihkuk (in or on Native land) in Skicinuwatuwewakon (the Passamaquoddy-Maliseet language), by Jordan Engel and Robert Leavitt. Courtesy of Decolonial Atlas Project. Decolonial Media License 0.1. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/33cb789c-9978-498b-9f12-bb7d641d8092/great-lakes-in-ojibwe+%281%29.png Print Article Archive - What’s in a name? Indigenous Knowledge and Ways of Making Sense of the World - Make it stand out Nayanno-nibiimaang Gichigamiin (The Great Lakes) in Anishinaabemowin (Ojibwe), by Charles Lippert and Jordan Engel. Courtesy of Decolonial Atlas Project. Decolonial Media License 0.1. https://www.studiomagazine.ca/articles/2020/11/secret-codes monthly 0.5 2021-05-01 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605216846258-2B41JD0DBN7LJ37TYT8J/4.+Betty+Hartley+no+1+Heather+Cromwell.jpg Print Article Archive - Secret Codes Heather Cromwell (quilt top) and Mary MacLean (quilt), Betty Hartley #1, 2012. Pieced, appliquéd and hand stitched, 175 x 221 cm. PHOTO COURTESY OF THE BLACK ARTISTS NETWORK OF NOVA SCOTIA https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605217142418-A4JNYREDSD4UY6A5636O/6.+Woods+Heather+Cromwell-The+Dance.jpg Print Article Archive - Secret Codes Heather Cromwell (quilt top) and Mary MacLean (quilt), The Dance, 2007. Pieced, appliquéd and hand stitched, 175 x 221 cm. PHOTO COURTESY OF THE BLACK ARTISTS NETWORK OF NOVA SCOTIA https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605217235779-6PUTHUF18GIOK6WUKRCK/secret+codes_2020.jpg Print Article Archive - Secret Codes TOP Vale Quilters Ward 4 Community Ctr, New Glasgow annual show and workshop, 2012. CENTRE David Woods speaking at the Opening of Mary Bendolph: Gees Bend Quilts and Beyond Exhibition, Art Gallery of NS, 2007. BOTTOM Vale Quilters at the Museum of Industry Stellarton NS at the opening of “Our Ancestor’s Garden”, 2007. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605217946018-IMTLIFTPXW2I830P5R5D/7.+Woods+Myla+Dorrington-A+Visit+from+Mamay.jpg Print Article Archive - Secret Codes Myla Dorrington, A Visit from Mamay, 2012. Pieced, appliquéd and hand stitched, 239 x 216 cm. PHOTO COURTESY OF THE BLACK ARTISTS NETWORK OF NOVA SCOTIA https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605218125265-Q1VNOVXJRGKCHJ0A5RX2/8.+Ectasy+of+Amelda.jpg Print Article Archive - Secret Codes Myla Borden, Ecstasy of Amelda Colley, 2007. Pieced and appliquéd, 213 x 170 cm. PHOTO COURTESY OF THE BLACK ARTISTS NETWORK OF NOVA SCOTIA https://www.studiomagazine.ca/articles/2020/11/we-can-build-in-different-ways monthly 0.5 2020-11-12 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605214107105-6XGAS99BPLC1WDKCQYKS/LightVortex_JC.jpg Print Article Archive - We Can Build In Different Ways Jacquie Comrie, Light Vortex, 2019. PHOTO: Lera Kotsyuba https://www.studiomagazine.ca/articles/2020/11/inquiries-with-maegen-black monthly 0.5 2021-05-01 https://www.studiomagazine.ca/articles/2020/11/alleles monthly 0.5 2020-11-13 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605287229078-HPYUQZMQOVG1Y8V537U6/IMAGE%2B1_Julia.jpg Print Article Archive - ALLELES Design Studio McCauley Wanner & Ryan Palibroda, Red High Gloss SOLO Prosthetic Cover, July 2020, ABS Plastic and Automotive Paint, Approximate 16 inches tall by 4 inches wide. Courtesy of The ALLELES Design Studio Ltd. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605287030371-8WP4TW4V56XG0XWPLVEN/IMAGE+2_Zak_Kyle.jpg Print Article Archive - ALLELES Design Studio McCauley Wanner & Ryan Palibroda, Army Green Gold People Cover & Black Two-Tone Cover, July 2019, ABS Plastic and Automotive Paint, Approximate 16 inches tall by 4 inches wide. Courtesy of Eric Chu Photography https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605287021249-J9V2DY4WQBJAMLIHNC7T/IMAGE+3_Vapourwave+Capsule+Collection+by+ALLELES_photo+courtesy+ALLELES.jpg Print Article Archive - ALLELES Design Studio McCauley Wanner & Ryan Palibroda, Vapourwave Capsule Collection, July 2019, ABS Plastic and Automotive Paint and reclaimed sailboat sails for the clothing, Approximate 16 inches tall by 4 inches wide. Courtesy of The ALLELES Design Studio Ltd. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605287617878-3V60KAEKGIGDUS7NB9TG/IMAGE%2B4_Nouveau%2BColorway%2BCream_photo_ALLELES.jpg Print Article Archive - ALLELES Design Studio McCauley Wanner & Ryan Palibroda, Cream Nouveau Colorway, January 2018, ABS Plastic and Automotive Paint, Approximate 16 inches tall by 4 inches wide. Courtesy of The ALLELES Design Studio Ltd. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605287205335-K446UQYPHU2ABXPCKII5/IMAGE%2B5_ALLELES%2BStudio.jpg Print Article Archive - ALLELES Design Studio McCauley Wanner & Ryan Palibroda, Studio photo featuring wall of prosthetic covers, September 2017, ABS Plastic and Automotive Paint, Approximate 16 inches tall by 4 inches wide. Courtesy of The ALLELES Design Studio Ltd. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605287249661-D6J631DW8C10ZV3GI6DE/IMAGE%2B6_Chris%2BMillan_photo_ALLELES.jpg Print Article Archive - ALLELES Design Studio McCauley Wanner & Ryan Palibroda, Racecar Yellow Deep Eyes Prosthetic Cover, July 2018, ABS Plastic and Automotive Paint, Approximate 16 inches tall by 4 inches wide. Courtesy of The ALLELES Design Studio Ltd. https://www.studiomagazine.ca/articles/2020/11/omar-badrin monthly 0.5 2021-05-01 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605285716879-I6R9CV6P8C4PCD59G6SC/01_2017_omarbadrin_In_My_Skin.jpg Print Article Archive - Omar Badrin Omar Badrin. In My Skin, 2017. Performance by Sarah Joy Stoker. Industrial Fishing Twine and Mason Line. Variable Dimensions. Photo credit: Brian Ricks. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605285699367-HRP2MZPSP9O9021AYRTG/02_2018_omarbadrin_Lacuna.jpg Print Article Archive - Omar Badrin Omar Badrin. Lacuna, 2018. Paracord, Industrial Fishing Twine, Mason Line and Flagging Tape. 58" × 36" × 5”. Photo courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605285679275-NOJ9FBHWPU32BOMSXZYX/03_2019_omarbadrin_Model_Minority.jpg Print Article Archive - Omar Badrin Omar Badrin. Model Minority, 2018. Phosphorescent Paracord and Mason Line. 9 1⁄2” x 10 1⁄2” x 10 1⁄2”. Photo courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605285689041-13XJ60PWOZE4CLYV3LMO/04_2019_omarbadrin_Racially_Bounded.jpg Print Article Archive - Omar Badrin Omar Badrin. Racially Bounded, 2019. Phosphorescent Paracord and Mason Line. 20” x 9 3⁄4” x 7”. Photo credit: Darren Rigo. https://www.studiomagazine.ca/articles/2020/11/montserrat-duran-muntadas monthly 0.5 2020-11-13 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605283871326-L03NICYF1MHUO16VSKP1/1MesBellesHistoiresDeFoetusMDMuntadas.jpg Print Article Archive - Montserrat Duran Muntadas Montserrat Duran Muntadas, Mes belles histoires de foetus, 2016. Flameworked and blown glass and fabric, 90 x 90 x 30 cm. Photo: René Rioux. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605283908548-DSX6A9EHL894VK086F40/2Ovoi%CC%88desMDMuntadas.jpg Print Article Archive - Montserrat Duran Muntadas Montserrat Duran Muntadas, Ovoïdes, 2019-2020. Flameworked and blown glass and fabric, 25 x 15 x 12 cm. Photo: René Rioux. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605283891480-F25U4W6NQG1H1TKFA2QE/3De%CC%81tailDizygotsMDMuntadas.jpg Print Article Archive - Montserrat Duran Muntadas Montserrat Duran Muntadas, Dizygots (détail), 2017. Flameworked and blown glass and fabric, 110 x 140 x 25 cm. Photo: René Rioux. COURTESY OF THE ARTIST. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605283923735-G87DKC5GP42JZ9XQIKU3/5PortraitMDMuntadas.jpg Print Article Archive - Montserrat Duran Muntadas Montserrat Duran Muntadas, portrait of the artist, 2019. Solo exhibition at Maison de la Culture La Sarre, La Sarre, QC, CA. Photo: René Rioux. COURTESY OF THE ARTIST. https://www.studiomagazine.ca/articles/2020/11/dispatches-fallwinter-2020 monthly 0.5 2024-03-13 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605280806823-KWCV6QRJ1CE5MSCW2G8S/NB_logo-final.png Print Article Archive - Dispatches, Fall/Winter 2020 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605281258335-UWSFSHFDJ8H2Q56UR0JU/Craft+Nova+Scotia+-+Supporting+Documentation+-+Aestival+Festival+Fundraiser.jpg Print Article Archive - Dispatches, Fall/Winter 2020 Aestival Festival Fundraiser, Craft Nova Scotia https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605281010347-MD9YWAW2LCLIITEX7YXF/NS_logo+%281%29.png Print Article Archive - Dispatches, Fall/Winter 2020 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605282214321-6GIONR18MUUUS5ICZF3S/05+MB+Tittenberger.jpeg Print Article Archive - Dispatches, Fall/Winter 2020 Peter Tittenberger, 1. Lure (snare I), 2019. Ceramic and piano strings, 18 x 18 x 36 cm. 2. Lure (tchotchke I), 2019. Ceramic and monofilament, 30 x 20 x 20 cm. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605281541413-GRZKB8QJPYA740JHQAN3/manitoba_craft_council_logo-1.png Print Article Archive - Dispatches, Fall/Winter 2020 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605282856299-DBUKXODNBX7DPT7DMCLF/NWT_craft+logo.png Print Article Archive - Dispatches, Fall/Winter 2020 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605283066711-CL08IZL7C084SZYM5FI9/SASK_logo_large-RGB.jpg Print Article Archive - Dispatches, Fall/Winter 2020 https://www.studiomagazine.ca/articles/2020/11/shiftadapt monthly 0.5 2020-11-13 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605279474248-FR3ENTRT8G58N5N2UJ8D/Izzy+in+Studio+9_6.png Print Article Archive - Shift/Adapt: An Interview With Izzy Camilleri Izzy Camilleri, 2020. PHOTO: TARA WEST FOR FAJO MAGAZINE. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605279713946-KX23GQJOPA1KQGKONUI1/160824_IZCOLLECTION_fallreshoot_jeans.anthony_064.jpg Print Article Archive - Shift/Adapt: An Interview With Izzy Camilleri IZ Collection: Jeans, 2016. PHOTO: CHRIS CHAPMAN, COURTESY OF IZZY CAMILLERI https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1605279405683-RACJBOH7K970YZO7QIHJ/160824_IZCOLLECTION_fallreshoot_peacoat.holly.faz_025_.jpg Print Article Archive - Shift/Adapt: An Interview With Izzy Camilleri IZ Collection: Peacoat, 2016. PHOTO: CHRIS CHAPMAN, COURTESY OF IZZY CAMILLERI https://www.studiomagazine.ca/articles/2020/5/inquiries-with-laura-lipcsei monthly 0.5 2021-05-05 https://www.studiomagazine.ca/articles/2020/5/painting-the-land monthly 0.5 2020-07-02 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593636110553-A68D33DXKZWY0K9B8FWK/8_IMG-1972.jpg Print Article Archive - As if painting the land were a way of knowing A red clay used to make pigments. Courtesy ANONG BEAM https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593636403197-TL1BXKPFK20862OOJ46Q/Screen%2BShot%2B2020-07-01%2Bat%2B4.41.07%2BPM.jpg Print Article Archive - As if painting the land were a way of knowing IMAGES L-R/ACROSS 1. Anong Beam’s father, the artist Carl Beam, mixing coloured ‘slips.’ 2. Preparing red clay. 3. Four Manitoulin colours: wild grape charcoal, escarpment red, cream and ice lake shale. 4. Colour testing. 5. Red and green sedimentary rocks. 6. An ice lake shale green. https://www.studiomagazine.ca/articles/2020/5/mathew-nuqingaq monthly 0.5 2020-08-13 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593718269598-BLNKOI2J4LYZFKJ8RZ4O/MN2.jpg Print Article Archive - Mathew Nuqingaq Mathew Nuqingaq, Snow Goggles, 2017. Sterling silver and muskox horn, 7 x 16 x 15 cm. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593718262756-N5H8NFKU8JHEHLHOQRAS/MN5.jpg Print Article Archive - Mathew Nuqingaq Mathew Nuqingaq, Nathalia Okalik Wearing Quilliq Earrings, 2019. Silver, 10 x 3 cm. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593718270869-P8CJJAGU3PQ2TA4J6K51/MN6.jpg Print Article Archive - Mathew Nuqingaq Mathew Nuqingaq, Maatalii Okalik Wearing Copper Foxy Lady Earrings, 2019. Copper and silver, 10 x 3 cm. COURTESY OF THE ARTIST https://www.studiomagazine.ca/articles/2020/5/ande-brown monthly 0.5 2020-07-02 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593719354166-0CZCQTYIPVVFPPCZA0VF/1-icoglobes+aerial.jpg Print Article Archive - Ande Brown Ande Brown, Icosahedron Globes. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593719352144-BK8O94ZM8PIZ84ZR0TQS/3-icoglobes+exotic+woods.jpg Print Article Archive - Ande Brown Ande Brown, Icosahedron Globes. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593719356634-MM24CJ2JRDS6Z91BV5ZT/4-icoglobes+hand.jpg Print Article Archive - Ande Brown Ande Brown, Icosahedron Globes. COURTESY OF THE ARTIST https://www.studiomagazine.ca/articles/2020/7/quin-cheung monthly 0.5 2020-11-12 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593716402626-6OB2PHDIHX16YMNH6YWA/803-Quinspired-191028q.jpg Print Article Archive - Quin Cheung Quin Cheung, Teapot, 2019. Bright white clay, 18 x 12 x 15 cm. COURTESY OF DQ STUDIOS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593716418831-IW7I63XG1RI3CKKFZPKL/804-Quinspired-191028q.jpg Print Article Archive - Quin Cheung Quin Cheung, Planter, 2019. White speckled clay, 15 x 12 x 12 cm. COURTESY OF DQ STUDIOS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593716475496-MMHFZEFYK4IZEXPBOX4R/818-Quinspired-191118q.jpg Print Article Archive - Quin Cheung Quin Cheung, Ramen Bowls, 2019. Bright white clay, 21 x 11 x 11 cm. COURTESY OF DQ STUDIOS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593716814814-OB7US0P9E8D0VTL9RF08/670-Quinspired-ProductImages-190704q.jpg Print Article Archive - Quin Cheung Quin Cheung, Mugs, 2019. White speckled clay, 8.5 x 8.5 x 8.5 cm. COURTESY OF DQ STUDIOS https://www.studiomagazine.ca/articles/2020/5/interview-with-wanda-nanibush monthly 0.5 2020-07-03 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593781062578-5BDJBSP0CB3GPXPCXELF/MerylMcMaster.jpeg Print Article Archive - The Things That We Build And Place There: An Interview With Wanda Nanibush Meryl McMaster. Bring me to this place, 2017. Giclée print, 152.4 × 101.6 cm. Courtesy of the artist and Stephen Bulger Gallery and Pierre-François Ouellette art contemporain. https://www.studiomagazine.ca/articles/2020/7/message monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1593714661378-1MY2GJ4GXXROYH9PSU3S/SS2020.jpg Print Article Archive - Message Check out this digital issue. https://www.studiomagazine.ca/articles/2020/2/18/-anna-torma-saidye-bronfman-award monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1582121164677-EY451YHQTWVR370W9OVD/08at16pedagogicalcharts2.jpg Print Article Archive - New Brunswick artist Anna Torma is the 2020 recipient of the Governor General’s Award in Visual and Media Arts – Saidye Bronfman Award Pedagogical Charts 2 (2016), Hand embroidered collage on linen fabric, silk thread, 143 x 116cm, Courtesy Galerie Laroche / Joncas, Photo: Guy L’Heureux https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1582121383848-A363EKY983PA8P1NKI59/Party+with+Dionysos+2016_PhotoGuyLHeureux+copy.jpg Print Article Archive - New Brunswick artist Anna Torma is the 2020 recipient of the Governor General’s Award in Visual and Media Arts – Saidye Bronfman Award Party with Dionysos (2016), Hand embroidered collage on linen fabric, cotton thread, silk collage border, 185 x 150cm, Collection of Patrick Cady / Musée d’Art Contemporain Singulier, Photo: Guy L’Heureux https://www.studiomagazine.ca/articles/2019/fw2019/review-david-kaye-gallery monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571691735753-PO4WPDIAGWG3KOE2SXP2/david+kaye.jpg Print Article Archive - Review: David Kaye Gallery David Kaye Gallery, Tery Pellettier display in front window. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571691988742-SACE3SCZNA55XHW32HKD/Foulem_vase_sculptural_1668.jpg Print Article Archive - Review: David Kaye Gallery Léopold L. Foulem, Sculptural Vase 1668, 2014–2016. Ceramic & found objects, 29.85 l X 21.9 w X 15.5 d cm. Photo by: RICHARD MILETTE https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571692187249-D9Y7WJOCUACV9YGA4OHQ/Heinemann%2BRadarlove.jpg Print Article Archive - Review: David Kaye Gallery Steven Heinemann, Radarlove, 2017. Slip-cast earthenware, 99 l X 33 w X 8.9 d cm. Photo by: TAIMAZ MOSLEMIAN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571692341203-VTUT0RCRONYUXN8RN3PY/Keene+Visible+Hemispheres+%239.jpg Print Article Archive - Review: David Kaye Gallery Susan Warner Keene, Visible Hemispheres #9, 2016. Handmade paper (abaca, cotton rag, linen thread, abaca fibres), 72.4 l x 72.4 w x 3.8 d cm. Photo by: PETER NEWMAN https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571692408314-EV3Z68X5WMBLFI7DC9D8/Keene+Visible+Hemispheres+%234.jpg Print Article Archive - Review: David Kaye Gallery Susan Warner Keene, Visible Hemispheres #4, 2016. Handmade paper (abaca, abaca fibres), 63.5 l x 63.5 w x 5 d cm. Photo by: PETER NEWMAN https://www.studiomagazine.ca/articles/2019/fw2019/compulsive-colour monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571688982863-VCZ43G3WOVUXYOT804F5/Laura+Donefer_yellow+basket.png Print Article Archive - Compulsive Colour Laura Donefer, Yellow Heart Amulet Basket, 2014. Blown and flameworked glass, 91 x 86 x 41 cm. Photo by: STEPHEN WILD https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571689376872-SJASRJQ7K0BCAY0MYDDH/Charlynne+Lafontaine_Choice+Edible2.png Print Article Archive - Compulsive Colour Charlynne Lafontaine, Choice Edible, 2016. Flameworked borosilicate glass, steel mesh, bronze screen, copper wire, steel wire. Image courtesy of: THE CORNING MUSEUM OF GLASS IMAGE https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571689202572-0MI7Q1HIOUO21Q3KLGH0/Charlynne+Lafontaine_Choice+Edible1.png Print Article Archive - Compulsive Colour Charlynne Lafontaine, Choice Edible, 2016. Flameworked borosilicate glass, steel mesh, bronze screen, copper wire, steel wire. Image courtesy of: EARL HAVLIN PHOTOGRAPHY https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571689525049-FBI02P3TUN7KNQYHJO9O/Jared+Last_Circuit.png Print Article Archive - Compulsive Colour Jared Last, Circuit (Uranium), 2019. Blown, cut, sand carved and polished glass. 22 x 22 x 14 cm. IMAGE COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571689600992-65EG8V4WYQRANS2598I7/Irene+Frolic_Ruby.png Print Article Archive - Compulsive Colour Irene Frolic, Ruby, 2016. Cast crystal glass. 47 x 30 x 20 cm. Photo by: OVERSTREET MEDIA PRODUCTIONS https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571689773614-XETCL1MITMWNE9K4JA24/Cheryl+Wilson-Smith_Frosty+Balance.png Print Article Archive - Compulsive Colour Cheryl Wilson-Smith, Frosty Balance, 2013. 10 x 10 x 12 cm. Photo by: SHANNON KELLESTINE https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1571689832447-V2F5NIRANAW1VUXJDWJS/John+Honey_Duality.png Print Article Archive - Compulsive Colour John Honey, Duality (Series), 2018. Flameworked borosilicate glass. Dimensions variable. IMAGE COURTESY OF THE ARTIST https://www.studiomagazine.ca/articles/2019/under-the-radar/megan-samms monthly 0.5 2020-11-12 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1570730635413-JWGXCY6QTM8SWK4976P1/MSamms3.jpg Print Article Archive - Megan Samms https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1570731078135-SHA99F89XNWS7034SBCO/MSamms6.jpg Print Article Archive - Megan Samms TOP Megan Samms, Kitchen set. Swedish lave and waffle woven cloth, 2019. Organic cotton, hemp, natural dyes. BOTTOM Megan Samms, Monksbelt cloth on the loom, 2019. Organic cotton, hemp, natural dye. Photography courtesy of MEGAN SAMMS https://www.studiomagazine.ca/articles/2019/did-you-know/everything-old-is-new monthly 0.5 2024-01-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1570728963356-LCKGEW4M4FAU9X9L8KFK/Screen+Shot+2019-10-10+at+1.18.38+PM.png Print Article Archive - Everything old is new again (or, What goes around should come around again) https://www.studiomagazine.ca/articles/2019/at-the-border monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1556041825165-G5BPD0MRXG7TG77TZ1DR/OYC_Colonial_comfort_detail_vdf.jpg Print Article Archive - At The Border Vanessa Dion Fletcher, Colonial Comfort, 2016 (detail). Settee (re-upholstered settee, menstrual blood, porcupine quills) 73 x 46 x 39 inches. Courtesy of Vanessa Dion Fletcher. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1556041690025-EX2DHA3HLIFEWVFEXZ84/Colonial+Comfort_VDF.png Print Article Archive - At The Border Vanessa Dion Fletcher, Colonial Comfort, 2016 (detail). Settee (re-upholstered settee, menstrual blood, porcupine quills) 73 x 46 x 39 inches. Courtesy of Vanessa Dion Fletcher.R https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1556041991084-B4GN8U9HHBZ2WU56F1DY/Matt+Lambert+Image+1.jpg Print Article Archive - At The Border Matt Lambert, temporal drag only accepting gaudy currency, saving for kitsch omega and sugar free nirvana, 2017. IASPIS Stockholm Sweden, 10 x 5.5 x 2.5 feet. Courtesy of Matt Lambert https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1556042111682-JVGZDMGT4EU7MXMYBLAD/8+-+Launch-Second-Gesture_Performance-Tsema-Igharas_May-11-2017_courtesy-of-Wood-Land-School-and-SBC-Gallery-of-Contemporary-Art_image-Paul-Litherland37+copy.jpg Print Article Archive - At The Border Tsēmā Igharas, Khohk’ātskets’mā, 2016. Performance. Courtesy of Wood Land School at SBC Gallery of Contemporary Art. Photo Paul Litherland https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1556042603051-C1F8AUPL4CR1HNGTWXJL/Screen+Shot+2019-04-23+at+2.02.30+PM.png Print Article Archive - At The Border Dana Prieto, 1:10000 Bajo la Alumbrera, 2018. Glazed black stoneware, wooden box, gold leaf engraving and soil contaminated by Bajo de la Alumbrera mine, 22 x 22 x 12 cm. Coutesy of Dana Prieto https://www.studiomagazine.ca/articles/2019/moving-beyond-a-modern-craft monthly 0.5 2023-06-05 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1556043650790-WSYGUPBZFGS2OCYNLW4C/Screen+Shot+2019-04-23+at+2.17.52+PM.png Print Article Archive - Moving Beyond a Modern Craft: Thoughts on White Entitlement and Cultural Appropriation in Professional Craft in Canada Flying over the city of Mumbai, India. Photo Christine Pemberton https://www.studiomagazine.ca/articles/2019/the-social-fabric-deep-local-to-pan-global monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1560878716236-6WB7QRFOFUBB9620Q4NV/1.+Jaad+Kuujus_interface_coverportrait_Bill+Reid+Gallery.jpg Print Article Archive - The Social Fabric: Deep Local to Pan Global Exhibition catalog cover image for Interface: The Woven Artwork of Jaad Kuujus presented at Bill Reid Gallery of Northwest Coast Art September 19, 2018 – January 9, 2019. The artist Jaad Kuujus/Meghann O’Brien wears her handwoven Tlingit Raven’s Tail Sky Blanket (2014. Merino wool, cashmere, mountain goat wool, 124.46cm x 132.08cm) and Haida apron The Spirit of Shape (2015–2018. Merino wool, cashmere, cedar bark, linen, 73.66cm x 38.1 cm). Photo: David Koppe. Courtesy of the artist and Bill Reid Gallery of Northwest Coast Art, Vancouver, BC. https://www.studiomagazine.ca/articles/2019/sandra-alfoldyin-memoriam monthly 0.5 2020-04-24 https://www.studiomagazine.ca/articles/2019/under-the-radar/tarralik-duffy monthly 0.5 2020-07-02 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1555525740456-8HAN3QNJBHH7E3KSHH8N/BBF_29.jpg Print Article Archive - Tarralik Duffy https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1555525778506-HBP3WY8XRRTCRHBL8NFS/Screen+Shot+2019-04-17+at+2.23.28+PM.png Print Article Archive - Tarralik Duffy https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1555525812813-2RPZ1NTNL4XXC6LN92S5/Screen+Shot+2019-04-17+at+2.23.39+PM.png Print Article Archive - Tarralik Duffy TOP Tarralik Duffy, Dangles, 2019. Beluga bone and silver, 13 x 5 x 1 cm. MIDDLE Tarralik Duffy, Seal skin choker, Seal skin and silver. 2019. BOTTOM Tarralik Duffy, Nagjuk/antler cigarette dusters, 2019. Antler and silver. Photography courtesy of SWEETMOON PHOTOGRAPHY https://www.studiomagazine.ca/articles/2018/did-you-know/form-and-function monthly 0.5 2024-01-17 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1555524528595-GM9ER26XL11TJTIWHSPM/John+Ruskin.png Print Article Archive - Form and Function: Ruskin, the Bauhaus and the legacies of progressive design thinking John Ruskin in the 1880s. Art critic and social reformer. Photo courtesy of The Guild of St George/Museums Sheffied https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1555524636788-IB6HCMZ9VWE9IMIH0CKP/chair.png Print Article Archive - Form and Function: Ruskin, the Bauhaus and the legacies of progressive design thinking Marcel Breuer, Wassily Chair, also known as the Model B3 chair. Designed 1925–1926 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1555524819132-P7VV4UUUC44YYAWN2P2F/bauhaus.png Print Article Archive - Form and Function: Ruskin, the Bauhaus and the legacies of progressive design thinking Walter Gropius, Bauhaus Dessau. Opened on December 4, 1926. PHOTO STEFAN OEMISCH https://www.studiomagazine.ca/articles/2018/writers-residency/charged-agency monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554738164305-AAY8CHWHE4PJIJKEDEAW/Fig01-MJA-01_new.jpg Print Article Archive - Charged Agency: Craft and the Souvenirs of War Vase, brass, 34.7 x 8.5 cm. Collection of the Lieutenant Colonel D. V. Currie VC Armoury, Moose Jaw, SK. Photo: Gabriela García-Luna, Moose Jaw Museum & Art Gallery https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554737251039-5VQ6HKPGPSYENV9E4Q8Y/Fig05-AMHC-01_01.jpg Print Article Archive - Charged Agency: Craft and the Souvenirs of War Lighter, brass, metal, cotton wick, 4.3 x 6.2 x 0.9 cm. Collection of Army Museum Halifax Citadel, Halifax, NS, XPE/88/1251. Photo: Gabriela García-Luna, Moose Jaw Museum & Art Gallery https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554737484779-9OQE4LWBX9V1SW6UQIZD/Fig07-PC-DL-01ab-new.jpg Print Article Archive - Charged Agency: Craft and the Souvenirs of War Charles Shawcross, Frames, Left: Gladys Shawcross, 19.0 x 13.9 x 11.8 cm. Right: Margorie Shawcross, 14.0 x 19.2 x 12.8 cm. Brass, photographs. Collection of Darryl Lynn, Victoria, BC. Photo: Gabriela García-Luna, Moose Jaw Museum & Art Gallery https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554737665693-0KOTG29R04SPA0CMPXSA/Fig06-GM-04.jpg Print Article Archive - Charged Agency: Craft and the Souvenirs of War Robert Kelly, Sweater, Wool, 67.0 x 40.0 cm. Collection of Glenbow Museum, Calgary, AB, C-10639. Photo: Gabriela García-Luna, Moose Jaw Museum & Art Gallery https://www.studiomagazine.ca/articles/2018/writers-residency/the-path-we-mean-to-build monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554927602378-DMBDEQ8XNQ2MWDJRQ3IM/8.jpg Print Article Archive - The Path We Mean To Build or Invisible Things Are No Less Real Katherine Boyer | Terri Fidelak, Wanuskewin Walk, 2018, Digital photo, dimensions variable. Photo Katherine Boyer, Terri Fidelak https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554927890898-6Y6E2M9DW1Y9GK6JU6X1/9.JPG Print Article Archive - The Path We Mean To Build or Invisible Things Are No Less Real Katherine Boyer | Terri Fidelak, Between the Grasses, 2018. Digital pattern, dimensions variable. Photo Katherine Boyer, Terri Fidelak https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554928056800-PKHTRLTR41E0RQF80TPL/plantain.horsetail.jpg Print Article Archive - The Path We Mean To Build or Invisible Things Are No Less Real Katherine Boyer | Terri Fidelak, Medicine/Poison, 2018. Digital pattern, dimensions variable. Photo Katherine Boyer, Terri Fidelak https://www.studiomagazine.ca/articles/2018/writers-residency/crash-pad monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554322293663-4G4D1FXGR6AOXMACB0NW/13+-+Cindy+Baker%2C+Crash+Pad%2C+2018%2C+performance+still.+Courtesy+the+artist+and+dc3+Art+Projects+%281%29.jpg Print Article Archive - Crash Pad Cindy Baker, Crash Pad, 2018, performance still. COURTESY THE ARTIST AND DC3 ART PROJECTS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554322842222-KUAZPR3BEYLXZMKAVXDY/08%2B-%2BCindy%2BBaker%252C%2BCrash%2BPad%252C%2B2018%252C%2Binstallation%2Bview.jpg Print Article Archive - Crash Pad Cindy Baker, Crash Pad, 2018, installation view. COURTESY THE ARTIST AND DC3 ART PROJECTS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554323139705-ENBS0OX309SP9RRV0HOB/03+-+Cindy+Baker%2C+Crash+Pad+%233%2C+2018%2C+archival+print+on+Somerset.jpg Print Article Archive - Crash Pad Cindy Baker, Crash Pad #3, 2018, archival print on Somerset, 20.5 cm x 25.5cm. COURTESY THE ARTIST AND DC3 ART PROJECTS. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554323459573-SRS4ATNEL8R53UJFMNNL/01+-+Cindy+Baker%2C+All+Things+to+All+Men+%28And+Women%29%2C+installation+view%2C+2016.jpg Print Article Archive - Crash Pad Cindy Baker, All Things to All Men (And Woman), Installation view, 2016. Mixed media, dimensions vary. PHOTO COURTESY THE ARTIST AND DC3 ART PROJECTS. https://www.studiomagazine.ca/articles/2018/writers-residency/object-stories monthly 0.5 2020-04-28 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554926751260-J7KD1Q0JGJV4JXNOLXX1/Screen+Shot+2019-04-10+at+3.58.31+PM.png Print Article Archive - Object Stories https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554926803551-2LS4WZRZ7H30VZS67RVN/Screen+Shot+2019-04-10+at+3.58.22+PM.png Print Article Archive - Object Stories https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554926848895-UG8NLPUPMQJ7WWDCMS1J/Screen+Shot+2019-04-10+at+3.58.47+PM.png Print Article Archive - Object Stories https://www.studiomagazine.ca/articles/2018/writers-residency/im-done-defining-craft monthly 0.5 2020-04-24 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554925922786-XAKJ6TUN6NS5GXFDXQ1V/image+1.jpg Print Article Archive - I’m DONE Defining Craft https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554926015868-6BU4C3F3JT6ZRF2EP3FC/image+2.jpg Print Article Archive - I’m DONE Defining Craft https://www.studiomagazine.ca/articles/2018/under-the-radar/jake-whillans monthly 0.5 2020-07-02 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1552413750780-I2NE8NVKFOJLFANNQ5OW/linea_ctr_oakblack_side.jpg Print Article Archive - Jake Whillans https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1552413795990-MPF43B2013H4CNDBJRBT/Coracle_WB_front_open.jpg Print Article Archive - Jake Whillans https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1552413939933-QZVZWX4QO3N8CM9GTLOX/walnut+side_tall_planter3.jpg Print Article Archive - Jake Whillans TOP Jake Whillans, Linea - Counter Stool, 2016. Ebonized white oak, leather upholstery, 101 x 42 x 42 cm. COURTESY OF JAKE WHILLANS STUDIO CENTRE Jake Whillans, Coracle Bench, 2017. Walnut, molded leather, 41 x 38 x 122 cm. COURTESY OF JAKE WHILLANS STUDIO BOTTOM Jake Whillans, Baré Side & Plant Stand, 2017. Walnut, soapstone, leather and cast bronze, 53 x 46 x 46 cm / 94 x 37 x 37 cm COURTESY OF JAKE WHILLANS STUDIO https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1552414235667-PKB3GA8OUOWRTLJZQ6VB/jwstudio_process1_bw.jpg Print Article Archive - Jake Whillans Jake Whillans, in his studio. https://www.studiomagazine.ca/articles/2018/did-you-know/arts-of-seeing monthly 0.5 2024-01-18 https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554744792537-PMHFE6BEWGV3YTT38XRZ/KY_ext_table.jpg Print Article Archive - Arts of Seeing Downstairs house extension designed by Sir Leslie Martin, 1970. ALL IMAGES Kettle’s Yard, University of Cambridge. Photography: Paul Allitt https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554744959731-0MIVCHOEWVBYI1GCMKKR/KY_ext_up1.jpg Print Article Archive - Arts of Seeing House extension, upstairs, designed by Sir Leslie Martin, 1970. https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554745201188-H8I0JW35RVF1EFJMQRCA/KY_cottage_droom.jpg Print Article Archive - Arts of Seeing https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554746650501-7A8AAE9KFGXR6CQ5Z0G1/KY_extension_slate.jpg Print Article Archive - Arts of Seeing https://images.squarespace-cdn.com/content/v1/5c51db6285ede14e269dc2cc/1554746804988-3QVUOF30CA08EALAJDSO/KY_jims_bedroom_spiral.jpg Print Article Archive - Arts of Seeing TOP LEFT House cottages, downstairs, dining room TOP RIGHT Downstairs house extension, designed by Sir Leslie Martin, 1970 BOTTOM House cottages, downstairs,Jim Ede’s bedroom table 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