Hi.
Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
Craft explorations, interviews, and conversations that are exclusively published digitally.
An interview with Pamela Edmonds and Miles B. Clarke.
Emerging and established craft writers are invited to apply for an in-person Craft Writing Workshop at BeCraft Gallery in Mons, Belgium taking place July 29th, 2025.
Crafted Kinship: Inside the Creative Practices of Contemporary Black Caribbean Makers by Malene Barnett is a reclaiming, a reworlding, and a reimagining. Book review by Heidi McKenzie
Peter Pierobon is an internationally celebrated artist, furniture maker and sculptor who is the recipient of the 2025 Saidye Bronfman award, Canada’s highest distinction for excellence in craft.
A Collection of Atlantic Canada fine contemporary craft work, curated for Collect Art Fair 2025 (UK)
Last April, Nancy Johnston decided to felt a tiny sheep a day to create a sense of forward motion. She finds that thinking about sheep isn’t just sleep inducing.
Sally McCubbin asks her community about how they are coping with the gap between having children and having a creative practice, during the COVID-19 crisis. Remarks from Brad Turner, Janet MacPherson, Krystal Speck, Margaret Lim, Nick Chase and Steve Tippin.
Bruno Vinhas talks about the survival of galleries. These spaces already on the edge of non-existence are once again in jeopardy due to the current world situation.
Gillian Whitcombe explores the pressures, demands and mixed feelings around sewing homemade PPE.
Robyn Wilcox considers online exhibitions. She explores why even the well-executed ones, lack the appeal of a material experience? What is missing from an online exhibition?
Nehal El-Hadi re-evaluates the human-object relationship, rediscovering the ways in which certain handmade items introduce joy at a time when anxiety seems to be the prevailing emotion.
Melanie Egan thinks about how the lack of access to studio and working space because of the coronavirus pandemic affects more than just the production of objects.
